Estudios de Filosofía <ul> <li class="show"><strong>ISSN Print: </strong>0121-3628</li> <li class="show"><strong>ISSN Online: </strong>2256-358X</li> <li class="show"><strong>L-ISSN:</strong> 0121-3628</li> <li class="show"><strong>Periodicity:</strong> Semestral</li> <li class="show"><strong>Creative Commons:</strong> <a href="" target="_blank" rel="noopener">by-nc-sa</a></li> <li class="show">No Article Processing Charges (APC)</li> </ul> en-US <p><strong>Authors who publish with this journal agree to the following terms:</strong></p> <p>1. The Author retains copyright in the Work, where the term "Work" shall include all digital objects that may result in subsequent electronic publication or distribution.</p> <p>2. Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.</p> <p>3. The Author shall grant to the Publisher a nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a <a href="">Creative Commons Attribution-NoCommercia-ShareAlike (CC BY-NC-SA 4.0)</a>, or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions: (a) Attribution: Other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;(b) Noncommercial: Other users (including Publisher) may not use this Work for commercial purposes;</p> <p>4. The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal;</p> <p>5. Authors are permitted, and <em>Estudios de Filosofía</em> promotes, to post online the preprint manuscript of the Work in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see <a href="" target="_blank" rel="noopener">The Effect of Open Access</a>). Any such posting made before acceptance and publication of the Work is expected be updated upon publication to include a reference to the <em>Estudios de Filosofía</em>'s assigned URL to the Article and its final published version in <em>Estudios de Filosofía</em>. &nbsp; &nbsp;&nbsp;</p> (Estudios de Filosofía) (Mónica López) Wed, 01 Nov 2023 16:10:35 -0500 OJS 60 Brücker, T. (2019). Auf dem Weg zur Philosophie. Friedrich Nietzsche schreibt “Der Wanderer und sein Schatten”. Brill/Fink <p>Book rewived. </p> Osman Choque-Aliaga Copyright (c) 2022 Osman Choque-Aliaga Wed, 15 Mar 2023 00:00:00 -0500 Poetry and world in early Heidegger’s thought <div class="page" title="Page 116"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article explores the relationship between Heidegger’s philosophy and poetry in his habilitation and his first lectures in Freiburg. Although poetry as a particular phenomenon was not yet thematized by Heidegger, philosophy and language developed in its proximity since the habilitation text. Subsequently, a tragic quotation exemplifies the characterization of language as a premundane generality in his first lessons. The article elaborates an interpretation of the implicit relationship between philosophy and poetry based on the pre-mundane language [Vorweltliche] and its critique of neo- Kantianism. This relationship is the phenomenological possibility of letting see through language, especially the phenomena of world and meaning. Therefore, phenomenology and poetry came together in Heidegger’s thought around those two central phenomena of his later ontology.</p> </div> </div> </div> </div> Andrés Felipe Martínez-Castro Copyright (c) 2022 Andrés Felipe Martínez-Castro Wed, 15 Mar 2023 00:00:00 -0500 Modern art and artist in Hegel <div class="page" title="Page 138"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>Hegel’s assertion that, for us moderns, art is a matter of the past has obscured his genuine interest in the art of his time and modern art in general. This article attempts to correct this situation. First, it contextualizes the claim in its historical and conceptual aspects; second, it returns to Hegel’s approaches to modern art, neglected hitherto by interpreters. This revision implies clarifying what for Hegel is the modern, whose concept comes from the freedom and autonomy of thought, and does not conform to what, in developments of Aesthetics, after Hegel, represent tendencies and prescriptions such as the avant-garde or turns such as aesthetic modernity and postmodernity. Modern art is the product of an artist who freely disposes of the means and content of art since he places himself above them.</p> </div> </div> </div> </div> Javier Domínguez-Hernández Copyright (c) 2022 Javier Domínguez-Hernández Wed, 23 Aug 2023 00:00:00 -0500 Nihilism and salvation. Between transcendence and immanence <div class="page" title="Page 160"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article starts from two books by Santiago Alba Rico and Peter Sloterdijk to address the problem of nihilism, leading to Nietzsche and Heidegger to theoretically center the discussion and to conclude that the very idea of Salvation is nihilistic and belongs to its own logic. The fundamental problem can be approached as the conflict between the escape to some metaphysical or transcendent instance — the State or the Revolution, material forms of the Kingdom —or the immersion— which implies the whole assumption of suffering and enjoyment —in immanence.</p> </div> </div> </div> </div> Sergio Espinosa-Proa Copyright (c) 2022 Guillermo Sergio Espinosa-Proa Wed, 29 Mar 2023 00:00:00 -0500 Reduction of philosophy: Two decades of public policy in the construction of the field of philosophy teaching in Colombia <div class="page" title="Page 178"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article analyzes how public policies and regulations have affected the meaning of teaching philosophy in Colombia in the last two decades. Here, we analyze “Document 14”, the Critical Reading test in the “Saber 11” tests, the reform of the Bach- elor’s Degrees and the recent regulations on Qualified Registration and High Quality of university programs, which are structured from the notion of “learning outcomes”. The paper analyzes the norms and their reflection on the national philosophical community. Following Tovar’s hypothesis, we intend to show that, as a consequence of these regula- tions, philosophy has been given an operative meaning oriented to the labor demand and “living together” education. This has occurred by sacrificing the richness and breadth of philosophy. Finally, the text reveals that the philosophical community has critically assumed the norms, constituting philosophical reflection on political action.</p> </div> </div> </div> </div> Maximiliano Prada-Dussán Copyright (c) 2022 Maximiliano Prada Dussán Tue, 22 Aug 2023 00:00:00 -0500 Violence in Jean-Paul Sartre’s Cahiers pour une morale <div class="page" title="Page 6"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article rescues the original theory of violence that Jean-Paul Sartre developed in the late forties in Notebooks for an Ethics (1983). Notebooks is a posthumous and unfinished work in which the philosopher outlined the ethics promised in the last pages of Being and Nothingness. In this unfinished moral philosophy, violence is phenomenologically described as a human enterprise, freely chosen in an existential situation, which possesses the following essential features: the intransigent attitude, the destructive function, the dissociation of ends and means, the rupture of bonds of solidarity, the magical belief, the self-justification, the demand and the devaluation of the freedom of others. The main objective of this article is to reconstruct this theory so that it is possible to judge its value today in the philosophical problem of defining what violence is.</p> </div> </div> </div> </div> Alan Patricio Savignano Copyright (c) 2022 Alan Patricio Savignano Wed, 23 Aug 2023 00:00:00 -0500 Arendt and Blumenberg: Metaphors of the Contemporary Human Being <div class="page" title="Page 28"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>We intend to analyze the relationship between Hans Blumenberg and Hannah Arendt around their anthropological perspectives to complement the vision of the former based on the particular way that the philosopher has of connecting with the practical and political world and, also to think about the implications that the anthropological perspective provided by Blumenberg has for practical reflection. In this sense, we focus on two themes: their reflection on the metaphor and the anthropological reading of the astronautical company. We will link these topics with the development of a contempo- rary anthropology, that is to say, although it is not possible to achieve a substantialist definition of the human being, even so, the question about our own occurrence is fun- damental; in this case, the access route to anthropological doubt will be the metaphor.</p> </div> </div> </div> </div> Alicia Natali Chamorro-Muñoz Copyright (c) 2022 Alicia Natali Chamorro Muñoz Mon, 07 Aug 2023 00:00:00 -0500 Benjaminian Reminiscences in Deleuze’s and Daney’s Dialogue about Images in Control Societies <div class="page" title="Page 49"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article examines Gilles Deleuze’s 1986 letter to French film critic Serge Daney about cinema, television, and images in control societies through a Benjaminian lens. While neither Deleuze nor Daney deeply engage with Walter Benjamin’s thought, I argue that the ideas or dialectical images constructed by the German thinker are crucial to better understand Deleuze’s and Daney’s thoughts regarding the threatened death of modern cinema in the 1980s because of the predominance of television as a control apparatus. In the first part of the article, I analyze the aesthetical and political meaning of the concept of history as/of perception. I also show affinities between Benjamin’s and Deleuze’s works through their connection to art historian Aloïs Riegl. In the sec- ond part, I demonstrate how Deleuze’s and Daney’s reflections about mannerism as a weapon against the rise of clichés and the ideology of the visible in control societies must be supplemented by Benjamin’s concept of “construction”. In conclusion, I draw on Benjamin’s discussion of politics as a body space to advocate for desiring mannerisms to fight control apparatuses and the reign of clichés.</p> </div> </div> </div> </div> Aline Wiame Copyright (c) 2022 Aline Wiame Wed, 30 Aug 2023 00:00:00 -0500 “The illusions of the multitude” or “imaginaries” and their effects on the political sphere, in the philosophy of Baruch Spinoza <div class="page" title="Page 72"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>This article addresses the notion of “illusions of the multitude”, or the ideas created by the imagination in the analysis that Baruch Spinoza makes in his works. The text aims to explore the following questions: What characteristics reveal the ideas originating from the imagination? What role do these ideas play in the political and so- cial space? First, I emphasize Spinoza’s explanation of the imagination, as a first mode of knowledge. Secondly, I delve into the characteristics of the ideas that stem from it and the affections that accompany them. Finally, I analyze their effects on the political and social space.</p> </div> </div> </div> </div> Luz Helena Di Giorgi-Fonseca Copyright (c) 2022 Luz Helena Di Giorgi Fonseca Thu, 31 Aug 2023 00:00:00 -0500 About the knowledge, use, and experience of history <div class="page" title="Page 96"> <div class="section"> <div class="layoutArea"> <div class="column"> <p>The present work proposes reflecting on the historical fact as a determinant of present life and, therefore, of the destiny of men, peoples, and civilizations. Considering what Nietzsche raised in the Second Untimely Consideration, history can be narrated in a monumental, antiquarian, or critical way. These constitute ways of living the present and one’s destiny. It seeks to understand each of these possible attitudes towards the past while investigating the meaning of this interpretation for today’s man, immersed in his unique experience of temporality.</p> </div> </div> </div> </div> Oscar Javier Jiménez-Piraján Copyright (c) 2022 Oscar Javier Jiménez Piraján Wed, 30 Aug 2023 00:00:00 -0500