Pablo Montoya: religion and art
DOI:
https://doi.org/10.17533/udea.elc.n41a05Keywords:
Pablo Montoya, religion, art, meaning, disenchantmentAbstract
Religion appears in Pablo Montoya’s work in two senses: as a part of the culture, which manifests itself through myths, rites and symbols; and as a phenomenon, which indicates human constructions of meaning. This article, which is part of a PhD dissertation, takes as a base the Theology of culture by the religion philosopher Paul Tillich to systematize both meanings of what is religious. In addition, it reads the texts from a perspective of the aesthetics of reception (Gadamer, Iser, Jauss), which focuses on the way of interpretation of artworks and social realities from new horizons of reading.
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References
Camus, A. (2010). El mito de Sísifo [1942]. Buenos Aires: Losada.
Gadamer H.G. (1989). Historia de efectos y aplicación. R. Warning (Ed). Estética de la recepción. Madrid: Visor.
Iser, W. (1989). La estructura apelativa de los textos. R. Warning (Ed). Estética de la recepción. Madrid: Visor.
Kuschel, K-J. (1997). Jesus im Spiegel der Weltliteratur: Eine Jahrhundertbilanz in Texten und Einführungen. Düsseldorf: Patmos.
Montoya, P. (2004). La sed del ojo. Medellín: Fondo Editorial Eafit.
Montoya, P. (2006). Cuaderno de París. Medellín: Fondo Editorial Eafit.
Montoya, P. (2007). Trazos. Medellín: Editorial Universidad de Antioquia.
Montoya, P. (2008). Lejos de Roma. Bogotá: Alfaguara.
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Montoya, P. (2010). Adiós a los próceres. Bogotá: Grijalbo.
Montoya, P. (2011). El combate de Marguerite Yourcenar. Revista Universidad de Antioquia 304, pp. 50-56.
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Montoya, P. (2014a). Tríptico de la infamia. Bogotá: Penguin Random House Grupo Editorial.
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Nietzsche, F. (2002). La gaya ciencia. Madrid: Edaf.
Tillich, P. (1989). On art and architecture. New York: Crossroad.
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