Zooliterature: Theoretical and Critical Approaches
DOI:
https://doi.org/10.17533/udea.elc.354642Keywords:
Animals, Literary criticismAbstract
This article proposes a reflection on the intersection between animals, literature, and poshumanism, with the aim of enriching the theoretical and critical debate on animal representation through the exploration of Colombian zooliterature. In this way, a conceptual framework based on three categories is introduced: “the allegorical, the fantastic, the animal being,” so that this classification opens new paths for literary studies to expand and adapt to the changing perceptions of the literary aesthetic object in contemporary discourses.
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