The Caricature of the Machine in El café de nadie and Suenan Timbres: Experimenting New Realities and Languages
DOI:
https://doi.org/10.17533/udea.elc.20022Keywords:
Vidales, Luis, Suenan timbres, Vela, Arqueles, El café de nadie, city, machine, idolatry of modernityAbstract
El café de nadie by Arqueles Vela and Suenan Timbres by Luis Vidales, both published in 1926, develop the theme of the machine as a device that transforms the perception of the surroundings. The urban representation and the relentless pursuit of new expressive ways and unprecedented levels of reality achieve a mixture between the natural and technological worlds. This leads to hybrid between nature and machine under a perspective that moves between an apocalyptic perception and the worship of modernity, which is fleeting, transient and arbitrary.
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References
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Spang, Kurt. (1993). Inquietud y nostalgia. La poesía de Rafael Alberti. 2ª ed. Pamplona: Eunsa.
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