Paradoxical structures: As minas de prata (Alencar) and María (Isaacs)
DOI:
https://doi.org/10.17533/udea.elc.n47a05Keywords:
romanticism, dialectical structure, national imaginariesAbstract
This study will explore the relationships between the narrative structure and the social structure of the novels As minas de prata by José de Alencar and María by Jorge Isaacs. The cut will focus on both the narrative strategy and the different social groups, thus, the proposal allows a dialectic and paradoxical structure between the liberal ideas and the maintenance of the old slave system, both represented in the narrative and in the construction of the characters, what will be called “ideas out of place” within the process of formation as nations with a colonial heritage.
Downloads
References
Alencar, J. (2018). As minas de prata. Rio de Janeiro: Garnier. Recuperado de: https://bit.ly/2XY4xrU [01.06.2019].
Cândido, A. (2006). Literatura e Sociedade. Rio de Janeiro: Ouro sobre azul. Recuperado de: https://bit.ly/2Y5aYK5 [02.04.2019].
Cristina, M. T. (2017). Jorge Isaacs Ferrer. Recuperado de: http://enciclopedia.banrepcultural.org/index.php?title=Jorge_Isaacs_Ferrer [22.07.2019].
Cristina, M. T. (2005). Introducción. En J. Isaacs. María. Obras completas Jorge Isaacs. Volumen I. (pp. 21-36). Bogotá: Universidad Externado de Colombia - Universidad del Valle. Recuperado de: https://bit.ly/2MV2QoL [22.07.2019].
Cruz Rodríguez, E. (2008). La abolición de la esclavitud y la formación de lo público político en Colombia 1821-1851. Revista Mem.soc 12 (25), pp. 57-75. Recuperado de: https://bit.ly/3hqpYJW [22.07.2019].
Cuevas, M. F. (2018). El proceso de la abolición de la esclavitud en la Nueva Granada (1780-1860). Tiempos y contratiempos de una transición significativa, entre la Revolución y la República, Nuevo Mundo Mundos Nuevos (Tesis doctoral). París: EHESS. DOI: https://doi.org/10.4000/nuevomundo.72382 [22.07.2019].
De Marco, V. (1985). As minas de prata: O rosto brasileiro. Revista V. Língua e Literatura 14, pp. 125-142. Recuperado de: https://bit.ly/2Y0iLIZ [22.07. 2019].
Isaacs, J. (1867). María. Bogotá: Imprenta de Gaitán.
Isaacs, J. (1957). María. Argentina: Editorial Sopena.
Lukács, G. (2010). Teoría de la novela. Un ensayo histórico filosófico sobre las formas de la gran literatura épica. Argentina: Ediciones Godot.
Marczyk, M. B. F. A. (2006). Representações cristãs do povo judeu em As minas de prata, de José de Alencar (Dissertação de mestrado), Universidade de São Paulo, Departamento de Letras Orientais da Faculdade de Filosofia, SP. Recuperado de: https://bit.ly/37xNAbc [22.07.2019].
Mejía Toro, E. A. (2014). Ángel Rama y Antonio Cándido: la integración del Brasil en el sistema literario latinoamericano. Literatura: teoría, historia, crítica 16 (1), pp. 165-192. Recuperado de: https://bit.ly/30GQCII [02.06.2018].
Pereira Lage, A. C. (2006). Liberalismo no Brasil. Navegando na História da Educação brasileira. HISTEDBR - Faculdade de Educação - UNICAMP. Recuperado de: https://bit.ly/2UKVgRY [04.08.2019].
Peres, M. F. (2015). As minas e a agulheta: romance e história em As minas de prata, de José de Alencar. Belo Horizonte: Editora UFMG.
Schwarz, R. (2000). Ao vencedor as batatas. São Paulo: Editora 34. Recuperado de: https://bit.ly/3hpd9zv [03.04.2019].
Sommer, D. (2004). El mal de “María”: (con)fusión en un romance nacional. En: Ficciones fundacionales: las novelas nacionales de América Latina (pp. 225-262). Bogotá: Ediciones Fondo de Cultura Económica. Recuperado de: https://bit.ly/2Y2g0qk [02.06.2018].
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Estudios de Literatura Colombiana
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in Estudios de Literatura Colombiana must meet the following criteria for authorship:
- Substantial contributions to the conception and design of the work; and the acquisition, analysis, or interpretation of data for the work.
- Drafting the work or revising it critically for important intellectual content.
- Final approval of the version to be published.
- Agreement to be accountable for all aspects of the work in ensuring that questions related to the accuracy or integrity of any part of the work are appropriately investigated and resolved.
In addition, the authors agree to the following terms:
- The authors are accountable for the content of the work.
- Estudios de Literatura Colombiana is not responsible for aspects related to copying, plagiarism or fraud that may appear in the articles published in it.
- It is the authors' responsibility to obtain the necessary permissions to reproduce any copyrighted material. When photographs or personal data are to be reproduced and disseminated in printed or digital form, informed consent is required. Therefore, this requirement must be met by the authors upon receipt of the manuscript.
- The authors retain moral rights and transfer their economic rights to Estudios de Literatura Colombiana, which will correspond to the Universidad de Antioquia, to publish the articles on the website, brochures, social networks, distribute electronic copies, include them in indexing services, directories, national and international database repositories, under the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA).
- The authors will sign the declaration of transfer of economic rights to the Estudios de Literatura Colombiana, after acceptance of the manuscript.
- Authors may not withdraw the manuscript once it has been approved for publication. Otherwise they will have to bear the costs of the process. If they intend to withdraw the manuscript before its approval, they must send an official statement approved by all the authors.
- The material created by you may be distributed, copied and exhibited by third parties if and only if it is specified in the credits. No commercial benefit may be obtained and derived works must be compulsorily under the same terms of the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA) used in the original work.
