Death: between the plenitude and the scepticism in Las noches todas by Tomás González and Memorias de un hombre feliz by Darío Jaramillo Agudelo
DOI:
https://doi.org/10.17533/udea.elc.n47a04Keywords:
the death, Las noches todas, Tomás González, Memorias de un hombre feliz, Darío Jaramillo Agudelo, colombian novel, scepticism, plenitudeAbstract
This paper analyzes the esthetic and philosophical dimension of death in Las noches todas of Tomás González and Memorias de un hombre feliz of Darío Jaramillo Agudelo; in this respect, it shows how the position of the narrators is mediated by an awareness of death that affects their representation of the world, and sets up a type of novel that departs from skepticism and incorporates fullness, to discover new modulations of death. Finally, the need to start a history of death in Colombian literature is noted.
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