Fernando Charry Lara y la recepción del surrealismo en Colombia

Janeth Alejandra García Herrera

doi:10.17533/udea.elc.n47a02

Fernando Charry Lara and the reception of surrealism in Colombia

Authors

Janeth Alejandra García Herrera National University of Colombia https://orcid.org/0000-0001-5197-9616

DOI:

https://doi.org/10.17533/udea.elc.n47a02

Keywords:

surrealism, Latin-American poetry, Fernando Charry Lara

Abstract

This article studies the reception of Surrealism in Colombia taking Fernando Charry Lara as a representative case. Although previous studies have tried to establish the influence of the French movement on his poetical work, his reading of surrealism has not been sufficiently studied in his critical work. For this reason, the cultural field that served as a backdrop for the reception of avant-garde movements in Colombia is first reconstructed. Then, several articles of the author are analyzed chronologically, in order to reconstruct the particularities of this process. This analysis shows a change in his attitude not only towards the French movement, but also in his conception of poetry.

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Author Biography

Janeth Alejandra García Herrera, National University of Colombia

Master of the research line of the Master in Literary Studies and Professional in Literary Studies of the National University of Colombia. He has served as a research and teaching assistant, and has extensive experience in organizing and searching bibliographic information on virtual platforms, online databases, and libraries. As a result of his experience in the field of research, he has participated as a speaker in several international events and has published a couple of texts in the journal of the Department of Literature of the National University of Colombia, Literatura: Teoría, historia, review. He participated in the organization of the XVI Andean Conference on Latin American Student Literature (Jalla-E), Written Cities: Invention and Transformations of Latin America in Literature, which was held at the National University of Colombia. She was a beneficiary of the Graduate Mobility Scholarship from the Network of Public Macrouniversities of Latin America to carry out an academic exchange with the Universidad Nacional Mayor de San Marcos in Lima, Peru. She has also worked as a copyeditor in Spanish and English. She has a command of the English language and a basic knowledge of French.

References

Ardila Ariza, J. (2013). Vanguardia y antivanguardia en la crítica y en las publicaciones culturales colombianas de los años veinte. Bogotá: Universidad Nacional de Colombia.

Bejarano, J. (1982). “La economía”. En Manual de Historia de Colombia Tomo III (pp. 15-79). Bogotá: Procultura.

Breton, A. (2006). Manifiestos del surrealismo. La Plata: Terramar.

Charry Lara, F. (1986). Llama de amor viva. Bogotá: Procultura.

Charry Lara, F. (2012). Vida y obra de Fernando Charry Lara. Tomo II: Obra crítica 1940-1986. Bogotá: Instituto Caro y Cuervo.

García, A. (1941). De Valencia a Carranza. El Tiempo (24 de agosto), pp. 1-2.

Gutiérrez Girardot, R. (2011). Ensayos de literatura colombiana. Medellín: Unaula.

Holguín, A. (1944). El poeta de 1944. Fernando Charry Lara. Lecturas Dominicales. El Tiempo (31 de diciembre), p. 1.

Jaramillo Uribe, J. El proceso de la educación del Virreinato a la época contemporánea. En Manual de Historia de Colombia Tomo III (pp. 247-339). Bogotá: Procultura.

Jiménez, D. (1992). Historia de la crítica literaria en Colombia. Bogotá: Universidad Nacional de Colombia.

Jiménez, D. (2002). Poesía y canon: los poetas como críticos en la formación del canon de la poesía moderna en Colombia 1920-1950. Bogotá: Norma.

Raymond, M. (2002). De Baudelaire al surrealismo. México, D.F.: Fondo de Cultura Económica.

Romero, A. (1985). Las palabras están en situación. Un estudio de la poesía colombiana de 1940 a 1960. Bogotá: Procultura.

Tejada, L. (1977). Un poeta nuevo. En Gotas de tinta (pp. 158-160). Bogotá: Instituto Colombiano de Cultura.

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Published

2020-06-25

How to Cite

García Herrera, J. A. (2020). Fernando Charry Lara and the reception of surrealism in Colombia. Estudios De Literatura Colombiana, (47), 37–54. https://doi.org/10.17533/udea.elc.n47a02

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Issue

No. 47 (2020): Núm. 47 (2020): (julio-diciembre)

Section

Articles

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