Subversion of the Narco Paradigm in El ruido de las cosas al caer by Juan Gabriel Vásquez
DOI:
https://doi.org/10.17533/udea.elc.n49a12Keywords:
narconovela, Juan Gabriel Vásquez, Colombian fiction, narconarrativesAbstract
This article proposes a reading of the novel El ruido de las cosas al caer (2011) by Juan Gabriel Vásquez from the perspective of the narco convention and poetics existing in Colombian narrative. The aim of the paper is to demonstrate a paradoxical condition of the novel: handling all the ingredients of the narco convention and poetics, the novel portrays a failure of the illusions of drug trafficking as a way of social and individual ascent, which makes it a kind of anti-narconovela and leads to a certain subversion of the narco paradigm.
Downloads
References
Albornoz Vásquez, M. V. (2017). El miedo y la memoria en El ruido de las cosas al caer de Juan Gabriel Vásquez. Diablotexto Digital 2, pp. 52-67.
De Maeseneer, R. (2013). Un fósforo en la oscuridad. Conversación con Juan Gabriel Vásquez. Confluencia 28 (2), pp. 209-216.
Dueñas, G. P. (2014). De cómo leer el narcotráfico y otras advertencias. Apuntes CECYP 24 (2), pp. 177-185.
Fernández Luna, P. (2013). El ruido de las cosas al caer: la conciencia histórica como respuesta a la estética de la narconovela en Colombia. La palabra 22, pp. 29-39.
Fonseca, A. (2015). Revisitando la Hacienda Nápoles: las ruinas del narcotráfico en El ruido de las cosas al caer (2011) de Juan Gabriel Vásquez. En C. López Badano (Comp.). Periferias de la narcocracia. Ensayos sobre narrativas contemporáneas (pp. 79-91). Buenos Aires: Ed. Corregidor.
Gac-Artigas, P. (2015). El ruido de las cosas al caer o la reconstrucción de una era. Revista de la Academia Norteamericana de la Lengua Española IV (7), pp. 165-180.
González, A. (2016). Entrando en materia: novela, poesía y cultura material en El ruido de las cosas al caer. Cuadernos de literatura 20 (40), pp. 465-477.
Henao Uribe, L. (2018). Cartografías de violencia: centros, provincias y circulación transnacional en El ruido de las cosas al caer, de Juan Gabriel Vásquez. Estudios de Literatura Colombiana 42, pp. 157-173. DOI: https://doi.org/10.17533/udea.elc.n42a09
Herrero-Olaizola, A. (2007). “Se vende Colombia, un país de delirio”: El mercado literario global y la narrativa colombiana reciente. Symposium: A Quarterly Journal in Modern Literatures 61 (1), pp. 43-56.
Jácome, M. (2016). ¿Narco-novela o novela del narcotráfico? Apuntes sobre el caso colombiano. En B. Adriaensen, M. Kunz (Eds.). Narcoficciones en México y Colombia (pp. 27-52). Frankfurt: Iberoamericana/Vervuert.
Molina Lora, L. E. (2011). Narrativa de drogas: una investigación transatlántica en la producción cultural de España, México y Colombia [tesis de doctorado sin publicar). Ottawa: University of Ottawa. Recuperado de https://ruor.uottawa.ca/bitstream/10393/20003/1/Molina_Lora_%20Luis_Eduardo_2011_thesis.pdf [15.02.2021]
Olvera, R. G. (2013). Sólo las cruces quedaron: Literatura y narcotráfico. México: Ficticia Editorial.
Vásquez, J. G. (2011). El ruido de las cosas al caer. Bogotá: Alfaguara.
Published
How to Cite
Issue
Section
License
Copyright (c) 2021 Estudios de Literatura Colombiana
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in Estudios de Literatura Colombiana must meet the following criteria for authorship:
- Substantial contributions to the conception and design of the work; and the acquisition, analysis, or interpretation of data for the work.
- Drafting the work or revising it critically for important intellectual content.
- Final approval of the version to be published.
- Agreement to be accountable for all aspects of the work in ensuring that questions related to the accuracy or integrity of any part of the work are appropriately investigated and resolved.
In addition, the authors agree to the following terms:
- The authors are accountable for the content of the work.
- Estudios de Literatura Colombiana is not responsible for aspects related to copying, plagiarism or fraud that may appear in the articles published in it.
- It is the authors' responsibility to obtain the necessary permissions to reproduce any copyrighted material. When photographs or personal data are to be reproduced and disseminated in printed or digital form, informed consent is required. Therefore, this requirement must be met by the authors upon receipt of the manuscript.
- The authors retain moral rights and transfer their economic rights to Estudios de Literatura Colombiana, which will correspond to the Universidad de Antioquia, to publish the articles on the website, brochures, social networks, distribute electronic copies, include them in indexing services, directories, national and international database repositories, under the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA).
- The authors will sign the declaration of transfer of economic rights to the Estudios de Literatura Colombiana, after acceptance of the manuscript.
- Authors may not withdraw the manuscript once it has been approved for publication. Otherwise they will have to bear the costs of the process. If they intend to withdraw the manuscript before its approval, they must send an official statement approved by all the authors.
- The material created by you may be distributed, copied and exhibited by third parties if and only if it is specified in the credits. No commercial benefit may be obtained and derived works must be compulsorily under the same terms of the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA) used in the original work.