Los vacíos de la historia y el enigma del arte. Historia de un deseo de Pedro Gómez Valderrama
DOI:
https://doi.org/10.17533/udea.elc.9858Abstract
Resumen: El texto presenta un análisis del cuento Historia de un deseo del escritor colombiano Pedro Gómez Valderrama. Se abordan en el análisis, de manera relacionada y multiversal, los planos de la historia, de la sintaxis narrativa y del discurso. Para este efecto, se propone una idea de Historia derivada de lo planteado por la ‘historia literaria’ y la instancia discursiva del cuento. Así mismo, se plantea que en el texto la conjetura cumple un papel importante, pero que ésta no se reduce a lo detectivesco sino que tiene que ver, también, con el proceso de creación artística. De igual manera, se sostiene que la sintaxis del cuento es al modo de los iconos visuales, esto es, más espacial que lineal.
Descriptores: Arte; Conjetura; Historia; Interpretante; Narración; Verosimilitud.
Abstract: This article develops an analysis of “History of a desire”, a short story by the Colombian writer Pedro Gómez Valderrama. The analytical perspective deals, in a related and multiverse way, with some levels of the story, its narrative syntax and its speech. In general, it proposes an idea of ‘History’ derived from that posed by the “literary story” and the discursive place of the tale. Another topic explored is how conjecture becomes an intrinsic part of the artistic creative process. Finally, it affirms that the syntax of the tale is similar to a visual icon, that is, more spatial than linear.
Key words: Arts; Conjecture; Story; Interpreter; Narration; Probability; Pedro Gomez Valderrama, Historia de un deseo.
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