Prohibido salir a la calle de Consuelo Triviño: las trampas de la ternura
DOI:
https://doi.org/10.17533/udea.elc.17415Abstract
El presente artículo plantea la profundización de aspectos esenciales inmersos en la obra Prohibido salir a la calle (2007) de Consuelo Triviño. El punto de partida será su origen como ‘novela de formación', con una perspectiva de la presencia femenina todavía aletargada, y destacando la importancia de los ejes espacial y temporal, desde la visión inquieta y confusa que supone el protagonismo tierno de una niña.
Descriptores: Triviño, Consuelo; ‘Novela de formación'; ejes espacial y temporal.
Abstract:The present article proposes the deepening of essential aspects immersed in the book Prohibido salir a la calle by Consuelo Triviño. The starting point will be its origin as ‘a novel of formation', with the perspective of women`s presence that still lethargic, and stressing the importance of the spatial and temporal axis, from the confused and disturbed vision that assumes the tender relevance of a girl.
Key word: Triviño, Consuelo; ‘a novel of formation'; spatial and temporal axis.
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