Dance and avant-garde. News and perspectives

Authors

  • Ana Elisa Echeverry University of Antioquia

Keywords:

Avant-garde, provocation, body, liberation, emancipation, dance, staging

Abstract

This article explores the place of dance in the avant-gardes remains without being studied in a deep way, and the few studies that are found, are limited to establishing the relationship of these with Diaghilev and his Ballets Russes. Thus, reviewing concepts such as provocation, liberation and autonomy allows us to rescue choreographers and dancers who also made great contributions to the avant-garde and vice versa. Such is the case of Isadora Duncan, Löie Fuller and the Swedish Ballets, among others. All this to reach the conclusion that the aesthetic and conceptual demand that was made to dance at that time, continues to have full validity and validity in the current reflection on the discipline.
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Author Biography

Ana Elisa Echeverry, University of Antioquia 

Philosopher from the University of Antioquia, Diploma in Advanced Studies, University of Barcelona, ​​candidate for a doctorate from the same University. Professor of the Chair of the Bachelor of Basic Education in Dance, member of the Dance Research Group of the Bachelor of Dance. Director of two dance schools in the city

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Published

2015-09-01

How to Cite

Echeverry, A. E. (2015). Dance and avant-garde. News and perspectives. Artes La Revista, 9(16), 50–63. Retrieved from https://revistas.udea.edu.co/index.php/artesudea/article/view/24142

Issue

Vol. 9 No. 16 (2010)

Section

Artículos de Investigación

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