The music performer as scenic artist: intrinsic contingency between ontology and poetics of music

Authors

  • Paula Marcela Castaño Castaño University of Antioquia

Keywords:

Music interpretation, Music hermeneutics, Music ontology.

Abstract

The purpose of the article is to present the analysis by the author from her perspective as music performer, how from the ontological view, the staging of music is a performing art that returns to the primary concept of music, where music, theater and dance were an indiscernible entity. The theme of musical staging as a liberation of the spirit is analyzed too in the light of Greek mythology, Pythagoreanism and Heideggerian hermeneutics.

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Author Biography

Paula Marcela Castaño Castaño, University of Antioquia

Doctor of Arts, Specialist in Cultural Management with an emphasis on Cultural Planning and Policies.

References

Heidegger, M. (1953). Sein und Zeit. Tübingen, Alemania: Max Niemeyer Verlag.

Heidegger, M. (1971). El ser y el tiempo. México: Fondo de Cultura Económica.

Staab, G. (2010). Pythagoras und der frühe Pythagoreismus. En: S.-L. Sorgner y M. Schramm (Eds.), Musik in der antiken Philosophie: eine Einführung (pp.103-122). Würzburg, Alemania: Verlag Königshausen & Neumann GmbH.

Published

2019-03-09

How to Cite

Castaño Castaño, P. M. (2019). The music performer as scenic artist: intrinsic contingency between ontology and poetics of music. Artes La Revista, 16(23), 28–34. Retrieved from https://revistas.udea.edu.co/index.php/artesudea/article/view/337822

Issue

Section

Dossier: Música e industrial Culturales