Tomás Carrasquilla y los críticos colombianos del siglo XX
DOI:
https://doi.org/10.17533/udea.elc.16263Abstract
Resumen: El artículo hace un recorrido por las maneras en que los críticos colombianos más representativos del siglo XX han interpretado la obra de Carrasquilla. El cotejo de las diferentes lecturas permite, a su vez, aproximarse a los núcleos temáticos más polémicos que ha suscitado Carrasquilla a lo largo del tiempo en el seno de la crítica literaria nacional. Desde el asunto del lenguaje, pasando por la parodia y el humor, hasta las cuestiones del regionalismo y el cosmopolitismo son tratadas en este artículo. Se sopesan desde la actualidad las visiones que sobre Carrasquilla hicieron Baldomero Sanín Cano, Rafael Maya, Hernando Téllez, Rafael Gutiérrez Girardot y Rafael Humerto Moreno Durán, entre otro. Este itinerario culmina con una lectura de las posiciones que la Revista Mito y los nadaístas asumieron frente a la obra del escritor antioqueño.
Descriptores: Crítica literaria colombiana del siglo XX; Regionalismo; Realismo; Lenguaje popular; Humor y parodia: Revista Mito; Dadaísmo; Valoraciones sobre la obra de Carrasquilla.
Abstract: This is a survey on the ways 20th century Colombian literary critics have interpreted Tomás Carrasquilla's literary production. The confrontation of the different readings allows to approach the more polemical issues provoked by the author in the core of national literary criticism, such as: language, parody and humor, regionalism and cosmopolitanism. The points of view of Baldomero Sanín Cano, Rafael Maya, Hernando Téllez, Rafael Gutiérrez Girardot and Rafael Humerto Moreno Durán are weighed here from a contemporary perspective. This itinerary closes with a reading of the positions assumed about Carrasquilla's work by the editors of the journal Mito and the Nadaistas.
Key Words: Colombian literary criticism; Regionalism; Realism; Popular language; Humor and parody; Mito journal; Nadaism.
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