Museo de lo inútil, Ursúa and La ceiba de la memoria:Between Crisis and the Order of Representation
DOI:
https://doi.org/10.17533/udea.elc.21485Keywords:
representation, Colombian novel, Ursúa, Museo de lo inútil, La ceiba de la memoriaAbstract
This paper aims to discuss the way in which the literary work embraces traditional models, product of an order or a regime of representation. Also the way in which it avoids this model and breaks the order and generates a representation crisis related with the condition of the current subject, which is a subject in crisis. Three contemporary novels: Ursúa by William Ospina; Museo de lo inútil by Rodrigo Parra Sandoval and La ceiba de la memoria by Roberto Burgos Cantor are analyzed to shed light on this research.
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References
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