Defense of tradition and rupture
DOI:
https://doi.org/10.17533/udea.elc.n38a09Abstract
Qué entendemos cuando hablamos de la poesía como instancia de ruptura. Entramos al terreno de la rebelión y la revolución. Y al hablar de estas coyunturas estamos ante dos perfiles que caracterizan la creación literaria: la individualidad y la colectividad. Nos situamos, de algún modo, ante la soledad y el gregarismo. O mejor dicho, ante la transgresión y el establecimiento. El rebelde y el revolucionario han atravesado desde tiempos lejanos la historia de la literatura. Pero es en el siglo XX cuando se han visibilizado en una suerte de combate publicitado por los medios de comunicación masivos. El rebelde, y aquí resuenan las palabras de Albert Camus, es el que necesita de una suerte de marginalidad para poder proyectarse, siempre desde la disidencia, hacia los otros. Y el revolucionario es, por lo general, quien sistematiza y burocratiza el fresco pero efímero fuego de la rebelión. Es entre estas dos orillas que se mueve el poeta cuando escribe. En una se siente acogido y cierto. En la otra, incómodo y extraviado.
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