A sound that shapes the word. Music and literature in Programa de mano by Pablo Montoya
DOI:
https://doi.org/10.17533/udea.elc.n41a07Keywords:
music & literature, Colombian poetry, Programa de mano, Pablo MontoyaAbstract
The purpose of the present examination of Programa de mano (2014), by the Colombian author Pablo Montoya (1963), is to reveal the way in which the poems that it contains introduces a meditation about the poetic writing by articulating inside themselves music and literature.
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References
Baudelaire, C. (2008). Les Fleurs du Mal. Édition de Claude Pichois. Paris: Folio Classique.
Eagleton, T. (2007). Cómo leer un poema. Madrid: Akal.
Escal, F. (1990). Contrepoints. Musique et littérature. Paris: Meridiens Klinscksieck.
Ingold, T. (2007). Une breve histoire des lignes. Paris: Zones sensibles.
Marchal, H. (2007). La poésie. Paris: Flammarion.
Montoya, P. (2013). La música en la obra de Alejo Carpentier. Medellín: La Carreta Literaria.
Montoya, P. (2014). Programa de mano. Bogotá: Editorial Pontificia Universidad Javeriana.
Montoya, P. (2016). Terceto. Bogotá: Penguin Random House Grupo Editorial.
Quessep, G. (2007). Érase mi alma. Antología. Medellín: Editorial Universidad de Antioquia.
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