La escritura y la búsqueda de la subjetividad femenina. Tres protagonistas de Soledad Acosta de Samper
DOI:
https://doi.org/10.17533/udea.elc.16328Abstract
Resumen: Este artículo expone dos aspectos de la novelística de Soledad Acosta de Samper. El primero plantea la definición de la relación mujer - escritura y la subjetividad femenina a través de un imaginario de ‘mujer' en las novelas: Dolores, cuadros de la vida de una mujer (1867), Doña Gerónima. Novela de costumbres neogranadinas (1878) y Anales de un paseo (1879-1880). De otro lado, se explora la paulatina experimentación de Acosta en la representación de personajes femeninos y en aspectos de la escritura misma como la voz narrativa, el manejo del tiempo, la fragmentación de los espacios, entre otros.
Descriptores: Acosta de Samper, Soledad; escritura femenina; subjetividad femenina; Dolores, cuadros de la vida de una mujer; Doña Gerónima. Novela de costumbres neogranadinas; y Anales de un paseo.
Abstract: Soledad Acosta de Samper´s novel writing is the focus of this article. The first issue explored is the way she defines the relationship woman - writing and female subjectivity through an imaginary of ‘woman' in her novels: Dolores, cuadros de la vida de una mujer (1867), Doña Gerónima. Novela de costumbres neogranadinas (1878) y Anales de un paseo (1879-1880). The second issue examined is her continuous experimentation about the representation of female characters and on the very writing itself by means of the use of different narrative voices, the breaking of linear chronology, the fragmentation of spaces among others.
Key words: Acosta de Samper, Soledad; female writing; female subjectivity; Dolores, cuadros de la vida de una mujer; Doña Gerónima. Novela de costumbres neogranadinas; y Anales de un paseo.
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