Towards a brutalism of the sublime. Violence and power in the Analytic of the sublime in the Critique of the Power of Judgment
DOI:
https://doi.org/10.17533/udea.ef.349343Keywords:
violence, power, kant, sublime, brutalism, gewaltAbstract
The Kantian approach to the sublime in the Critique of the Power of Judgment is based on an antagonism between two faculties, Imagination and Reason. In order to understand this conflict under new conceptual coordinates, and pursuing a triple exegetical, aesthetical and political interest, the aim of the present paper is to develop the brutal character proper to the conceptual dynamics deployed in such an approach. Reconstructing this mouvement from the incidences of the term Gewalt, under a brutalism of the sublime, we focus on the inquiry of the violence that the Imagination experiences in its mathematical determination and, on the other hand, of the power that Reason holds according to the dynamic determination of the sublime. Thus, under such a perspective, violence, power and subjective impotence will appear as constitutive characters of the genesis of the feeling of the sublime within the horizon of transcendental philosophy.
Downloads
References
Allison, H. (2001). Kant’s theory of taste: a reading of the Critique of Aesthetic Judgment. Cambridge University Press. https://doi.org/10.1017/CBO9780511612671
Arendt, H. (1992). Lectures on Kant’s political philosophy. The University of Chicago Press. Banham, R. (1955). The new brutalism. The Architectural Review, 118, 354-361. https://www.architectural-review.com/archive/the-new-brutalism-by-reyner-banham
Banham, R. (1966). The newbrutalism: ethic or aesthetic. Reyner Banham. Architectural Press. Blánquez Fraile, A. (1975). Diccionario latino-español A-J.Editorial Ramon Sopena.
Courtine, J-F y Deguy, M. (1988). Du sublime. Belin.
Crowther, P. (1989). The Kantian sublime: from morality to art. Clarendon Press.
Crowther, P. (2010). The Kantian aesthetic: from knowledge to the Avant-Garde. Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199579976.001.0001
Derrida, J. (1978). La vérité en peinture. Flammarion.
Doran, R. (2015). The theory of the sublime from Longinus to Kant. Cambridge University Press.
https://doi.org/10.1017/CBO9781316182017
Guyer, P. (2011). Kant and the philosophy of architecture. The Journal of Aesthetics and Art Criticism, 69(1), 7–19. https://doi.org/10.1111/j.1540-6245.2010.01442.x
Huhn, T. (1995). The Kantian sublime and the nostalgia for violence. The Journal of Aesthetics and Art Criticism, 53(3), 269–275.
Kant. E. (1968). Kant’s gesammelte schriften (herausgegeben von der Königlich Preußischen Akademie der Wissenschaften zu Berlin: Bd. 5. Kritik der praktischen Vernunft. Kritik der Urteilskraft). Walter de Gruyter
Kant, E. (1992). Crítica de la facultad de juzgar (P. Oyarzún, trad.). Monte Ávila Editores. Langenscheidt. (2018). Langenscheidt diccionario universal alemán: español - alemán / alemán- español. Langenscheidt Verlag.
Lebrun, G. (2008). Kant y el fin de la metafísica (A. García Mayo, trad.). Escolar y Mayo editores.
Lyotard, J-F. (1988). L’inhumain causeries sur le temps. Galilée.
Lyotard, J-F. (1991). Leçons sur l’analytique du sublime Kant, Critique de la Faculté de Juger, (23-29). Galilée.
Lyotard, J-F. (1993). Le postmoderne expliqué aux enfants correspondance, 1982-1985.Galilée Pachilla, P. (2020). Violencia y subjetivación estético-política en lo sublime kantiano. Anacronismo e irrupción: Revista de teoría y filosofía política clásica y moderna, 10(18), 12-36.
Philonenko, A. (2010). Commentaire de la critique de la faculté de juger. Vrin.
Rancière, J. (2004). The sublime from Lyotard to Schiller. Two readings of Kant and their political significance (M. Blechman, trad.). Radical Philosophy, 126, 8-15. https://www.radicalphilosophy.com/article/the-sublime-from-lyotard-to-schiller
Rancière, J. (2011). Aesthetic separation, aesthetic community. En The Emancipated Spectator. Verso.
Shapiro, M. (2018). The political sublime. Duke University Press. https://doi. org/10.1215/9780822372059
Wittingslow, R. (2021). The play’s das thing: on the incommensurability of Arendtian political action and the Kantian sublime. Journal of Comparative Literature & Aesthetics, 44(1), 34-43.
Published
How to Cite
Issue
Section
Categories
License
Copyright (c) 2022 David Antonio Bastidas Bolaños
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
1. The Author retains copyright in the Work, where the term "Work" shall include all digital objects that may result in subsequent electronic publication or distribution.
2. Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
3. The Author shall grant to the Publisher a nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution-NoCommercia-ShareAlike (CC BY-NC-SA 4.0), or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions: (a) Attribution: Other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;(b) Noncommercial: Other users (including Publisher) may not use this Work for commercial purposes;
4. The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal;
5. Authors are permitted, and Estudios de Filosofía promotes, to post online the preprint manuscript of the Work in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work is expected be updated upon publication to include a reference to the Estudios de Filosofía's assigned URL to the Article and its final published version in Estudios de Filosofía.