Teatro y referentes poéticos caballerescos en el <em>Quijote</em> de 1615: Gaiferos y Altisidora

Sara Isabel Santa Aguilar

doi:10.17533/udea.lyl.21836

Theater and chivalric poetic reference in Don Quixote (1615): Gaifeiros and Altisidora

Authors

Sara Isabel Santa Aguilar University of the Andes

DOI:

https://doi.org/10.17533/udea.lyl.21836

Keywords:

romancero, court theater, teatrino, poetic licence.

Abstract

This paper studies how the chivalric poetic reference permeates in the 1615 Don Quixote . I begin highlighting the presence of theater in the Second part of Cervantes’ novel, in order to study how, precisely, in this level of fiction within fiction (theater inside a novel), the chivalric reference is decontextualized and re-signified. I conclude proving how the chivalric reference is constantly transiting between ontological planes, and accommodates itself to the realities of Cervantes’ characters, actualizing itself and changing its meaning continuously.

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References

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Anónimo. (1985). Entremés de los Romances. En J. H. Valvo (Ed.), Teatro breve de los siglos xvi y xvii (pp. 125-138). Madrid: Taurus.

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Arellano, I. (2005). Historia del teatro español del siglo xvii. Madrid: Cátedra.

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Durán, A. (Ed.). (1945). Romancero General o Colección de Romances Castellanos anteriores al siglo xviii (Vol. 1). Madrid: Ediciones Atlas.

Maestro, J. G. (2005). Cervantes y el teatro del «Quijote». Hispania: American Association of Theachers of Spanish and portuguese, 88 (1), 41-52.

Osuna, R. (1981). Una parodia cervantina de un romance de Lope. Hispanic Review, 49 (1), 87-105.

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Published

2015-02-11

How to Cite

Santa Aguilar, S. I. (2015). Theater and chivalric poetic reference in Don Quixote (1615): Gaifeiros and Altisidora. Lingüística Y Literatura, 36(67), 105–121. https://doi.org/10.17533/udea.lyl.21836

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Issue

Vol. 36 Núm. 67 (2015): ENERO-JUNIO, 2015

Section

Research articles

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