Miradas: una cronología de reflejos entre cuerpo y alma en un diálogo multicultural con la literatura hebrea de la Península Ibérica medieval

Rachel Peled Cuartas

doi:10.17533/udea.lyl.n74a02

Authors

Rachel Peled Cuartas University of Alcalá

DOI:

https://doi.org/10.17533/udea.lyl.n74a02

Keywords:

gaze, Hebrew and Arabic love poetry, courtry love, female body, late medieval Iberia

Abstract

The traditional poetic concept, according to which power of female gaze is described from masculine perspective, became a central pillar in the relationship between men and women in the Middle Ages. Nonetheless, in its poetry we can find a more powerful female voice or even a complete reversal of the established social hierarchy. Based on a new vision of the concept of medieval interculturality in the Iberian Peninsula this article traces a poetic path which embraces four centuries (from the tenth to the fourteenth centuries), highlighting the influence of troubadour poetry and Arabic poetry of al- Ándalus on Hebrew literature.

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