Dante Alighieri and the Overdeterminated Female Voice: Agonism and Phantasmagoria

Pedro Carlos Louzada Fonseca; Norival Bottos Júnior

doi:10.17533/udea.lyl.n76a09

Dante Alighieri and the Overdeterminated Female Voice: Agonism and Phantasmagoria

Authors

Pedro Carlos Louzada Fonseca Federal University of Goiás
Norival Bottos Júnior Federal University of Goiás

DOI:

https://doi.org/10.17533/udea.lyl.n76a09

Keywords:

female voice, overdetermination, phantasm, agonism, Dante Alighieri

Abstract

Women are the central theme for Dante, from his first lyric poems to the Comedy. In this thematic perspective, through a comparative method and critical-theoretical analysis, this article examines the way in which the poet used the phantasmatic operation of courtly love to annul the female voice of Beatrice in The New Life and how later on the Florentine lady resurfaced in the Comedy endowed with the masculine voice of the own Dante in constant process of self-listening. In this mimetic aspect, the article intends to conclude that Dante's poetics presents traces of emancipation from medieval aesthetics towards the modern.

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Author Biographies

Pedro Carlos Louzada Fonseca, Federal University of Goiás

Full professor at the Federal University of Goiás (Brazil). PhD in Romance Languages and Literatures, with Post-Doctorate from the Open University of Lisbon (Portugal) and State University of Rio de Janeiro (Brazil). He has developed research, published books and reference articles in the area of medieval literature and Portuguese-Brazilian colonial chronicle.

Norival Bottos Júnior, Federal University of Goiás

Ph.D. student in Literature and Comparative Studies in the Graduate Program in Letters and Linguistics of the Federal University of Goiás (Brazil). Scholarship holder of CNPq. Currently he is dedicated to the studies of Portuguese medieval literature and contemporary Brazilian literature. E-mail: nonobottos@gmail.com

References

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Published

2019-10-18

How to Cite

Louzada Fonseca, P. C., & Bottos Júnior, N. (2019). Dante Alighieri and the Overdeterminated Female Voice: Agonism and Phantasmagoria. Lingüística Y Literatura, 40(76), 201–218. https://doi.org/10.17533/udea.lyl.n76a09

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Issue

Vol. 40 No. 76 (2019): JUNE-DECEMBER, 2019

Section

Literary studies

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