Research and critical editing of two pieces for piano by the Antioquia composer Carlos Posada Amador

Authors

  • Jairo Enrique Restrepo University of Antioquia

Keywords:

Carlos Posada Amador, colombian composers of the XXth century, history of music in Medellín, colombian piano music, music edition

Abstract

As part of the activities of the CIPAR (Regional Artistic Heritage Research Center), now part of the Arts and Thought Models Research Group "of the Faculty of Arts of the University of Antioquia, copies of the manuscripts of two pieces were found for piano by maestro Carlos Posada Amador (1908 - 1993), one of the most unknown personalities of the academic music of Colombia in the 20th century. We present a critical edition of both pieces and a musicological analysis, so that the interpreters have access to this material and consider incorporating it into your repertoire.
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Author Biography

Jairo Enrique Restrepo, University of Antioquia 

Teacher of the Faculty of Arts since 1992, Master in Guitar and Specialist in Artistic Creation (musical composition). Founding member of the Medellín Philharmonic Orchestra, where they premiered some of his symphonic works and he served for more than twenty-three years as a violinist and guitarist. He has also been a teacher in several cultural and educational centers such as the Adventist University Corporation and the houses of culture of Copacabana and San Pedro de los Milagros.

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Published

2015-09-08

How to Cite

Restrepo, J. E. (2015). Research and critical editing of two pieces for piano by the Antioquia composer Carlos Posada Amador. Artes La Revista, 9(16), 88–105. Retrieved from https://revistas.udea.edu.co/index.php/artesudea/article/view/24273

Issue

Vol. 9 No. 16 (2010)

Section

Artículos de Investigación

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