The pilgrimage of Feliciano Ríos and Peralta through heaven and hell, who with their picaresque wit defeated the Devil and subdued God
DOI:
https://doi.org/10.17533/udea.elc.348819Keywords:
tradition, picaresque, fantasy, church, deceptionAbstract
The stories “En la diestra de Dios Padre” by Carrasquilla and “Muerte y peregrinaciones ultraterrenas by the teacher Feliciano Ríos” by Arango Villegas, gather pica-resque, fantastic and oral aspects from Antioquia. The fantastic has Todorov as a reference, since heaven and hell are the chro-notope of the stories as fictional scenarios of the action. For critics in general, the rogue is a transgressor who, with the cor-rosive action of his discourse questions the Church and its val-ues. The article provides a look at other ways of understanding the legacy of the picaresque, infrequent in Colombian literature.
Downloads
References
Arango Villegas, R. (1933). Bobadas mías. Manizales: Editorial Manizales.
Bajtín, M. (1989). Teoría y estética de la novela. Madrid: Taurus.
Cabo Aseguinolaza, F. (1992). El concepto de género y la literatura picaresca. Santiago de Compostela: Universidad de Santiago de Compostela.
Cardona, J. (2014). La esencia humorística de Rafael Arango Villegas en los relatos del maestro Feliciano Ríos. Pereira. Universidad Tecnológica de Pereira.
Carrasquilla, T. (1992). Antología de cuentos de Tomás Carrasquilla. Cali: COMFENALCO.
Casas de Faunce, M. (1997). La novela picaresca latinoamericana. Madrid: Cupsa editorial.
Correa, G. (1977). El héroe de la picaresca y su influencia en la novela moderna española e hispanoamericana. Thesaurus: boletín del Instituto Caro y Cuervo 32. Recuperado de: http://bibliotecadigital.caroycuervo.gov.co/id/eprint/536 [20.03.2019].
Garzón, J. (2005). Epistemología de la pedagogía. Bogotá. Universidad Nacional Abierta y a Distancia.
Levy, K. (1953). Nueva luz sobre la obra de Tomás Carrasquilla. Revista trimestral de cultura moderna 17, pp. 217-228.
Maravall, J. A. (1986). La literatura picaresca desde la historia social (Siglos XVI y XVII). Madrid: Altea, Taurus, Alfaguara.
Ordaz. R. (2000). Elpícaro en la literatura iberoamericana. México: Universidad Nacional Autónoma de México (UNAM).
Parker, A. (1971). Los pícaros en la literatura. La novela picaresca en España y Europa (1599-1753). Madrid: Gredos.
Pereda, I. (1950). La novela picaresca y el pícaro en España y América. Montevideo: Organización Medina.
Rico, F. (2000). La novela picaresca y el punto de vista. Barcelona: Seix Barral.
Rodríguez Ferrer, R. (2011). Sobre reescritura y vigencia de la picaresca en la narrativa hispanoamericana: Patas de perro de Carlos Droguett. Acta Literaria 43, pp. 9-25.
Sobejano, G. (1975). Un perfil de la picaresca: el pícaro hablador . Biblioteca virtual Miguel de Cervantes.
Recuperado de: http://www.cervantesvirtual.com/nd/ark:/59851/bmc5h802 [05.01.2019].
Souiller, D. (1985). La novela picaresca . México: Fondo de cultura Económica.
Talens, J. (1975). Novela picaresca y práctica de la transgresión. Madrid: Ediciones Jucar.
Todorov, Z. (1998). Introducción a la literatura fantástica. México: Editorial Coyoacán.
Williams, R. (1992). Novela y poder en Colombia: 1844 1987. Bogotá: Tercer mundo editores.
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Estudios de Literatura Colombiana
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in Estudios de Literatura Colombiana must meet the following criteria for authorship:
- Substantial contributions to the conception and design of the work; and the acquisition, analysis, or interpretation of data for the work.
- Drafting the work or revising it critically for important intellectual content.
- Final approval of the version to be published.
- Agreement to be accountable for all aspects of the work in ensuring that questions related to the accuracy or integrity of any part of the work are appropriately investigated and resolved.
In addition, the authors agree to the following terms:
- The authors are accountable for the content of the work.
- Estudios de Literatura Colombiana is not responsible for aspects related to copying, plagiarism or fraud that may appear in the articles published in it.
- It is the authors' responsibility to obtain the necessary permissions to reproduce any copyrighted material. When photographs or personal data are to be reproduced and disseminated in printed or digital form, informed consent is required. Therefore, this requirement must be met by the authors upon receipt of the manuscript.
- The authors retain moral rights and transfer their economic rights to Estudios de Literatura Colombiana, which will correspond to the Universidad de Antioquia, to publish the articles on the website, brochures, social networks, distribute electronic copies, include them in indexing services, directories, national and international database repositories, under the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA).
- The authors will sign the declaration of transfer of economic rights to the Estudios de Literatura Colombiana, after acceptance of the manuscript.
- Authors may not withdraw the manuscript once it has been approved for publication. Otherwise they will have to bear the costs of the process. If they intend to withdraw the manuscript before its approval, they must send an official statement approved by all the authors.
- The material created by you may be distributed, copied and exhibited by third parties if and only if it is specified in the credits. No commercial benefit may be obtained and derived works must be compulsorily under the same terms of the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA) used in the original work.
