Dionisian Art. Notes on Art in some posthumous writings of Nietzsche
DOI:
https://doi.org/10.17533/udea.ef.12852Keywords:
art, appearance, force, romantic, classic, tragic, dionisian, apolineanAbstract
The article dwells on four themes that sum up Nietzsche's interpretation of Art and it also dwells on the centralposition that this activity has in the overcoming of nihilism and the transvaluation ofall values. These themes are: the feeling of drunkenness, the tension between force andform, the notions of “classic” and “romantic”, and that which is tragic. It is all done in relation to the dionisian character of Art, which is a corner stone to determine the affirmative value of it as an activity and to determine the character of “appearance ofreality” to which it points out.
Downloads
References
Nietzche. Fragmentos postumos. Bogota: Norma, 1992.
____________ El crepúsculo de los ídolos. España: Alianza Editorial, 1973.
____________ Voluntad de poderío. Madrid: Edaf, 1981.
Downloads
Published
How to Cite
Issue
Section
Categories
License
Copyright (c) 2005 Carlos Vásquez Tamayo
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
1. The Author retains copyright in the Work, where the term "Work" shall include all digital objects that may result in subsequent electronic publication or distribution.
2. Upon acceptance of the Work, the author shall grant to the Publisher the right of first publication of the Work.
3. The Author shall grant to the Publisher a nonexclusive perpetual right and license to publish, archive, and make accessible the Work in whole or in part in all forms of media now or hereafter known under a Creative Commons Attribution-NoCommercia-ShareAlike (CC BY-NC-SA 4.0), or its equivalent, which, for the avoidance of doubt, allows others to copy, distribute, and transmit the Work under the following conditions: (a) Attribution: Other users must attribute the Work in the manner specified by the author as indicated on the journal Web site;(b) Noncommercial: Other users (including Publisher) may not use this Work for commercial purposes;
4. The Author is able to enter into separate, additional contractual arrangements for the nonexclusive distribution of the journal's published version of the Work (e.g., post it to an institutional repository or publish it in a book), as long as there is provided in the document an acknowledgement of its initial publication in this journal;
5. Authors are permitted, and Estudios de Filosofía promotes, to post online the preprint manuscript of the Work in institutional repositories or on their Websites prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access). Any such posting made before acceptance and publication of the Work is expected be updated upon publication to include a reference to the Estudios de Filosofía's assigned URL to the Article and its final published version in Estudios de Filosofía.
