Position of art in Adorno's thought: Art as a memory of the possible

Authors

  • Manuel Enrique Silva Rodríguez Universidad de Antioquia

DOI:

https://doi.org/10.17533/udea.ef.12941

Keywords:

Art, reconciliation, dissonance, individual, system, society, mimesis, negativity, no identity

Abstract

This paper intends to highlight a chronological path through same of the most important works of Theodor Adorno. Thus it is shown how in his philosophy, from the very beginning until his last great work, there was a coherent development which constituted itself in a critical model of enlightened reason, inasmuch as it can accept and represent the exciuded, and thus limited, by instrumental rationality.

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Author Biography

Manuel Enrique Silva Rodríguez, Universidad de Antioquia

Universidad de Antioquia

Published

2004-01-06

How to Cite

Silva Rodríguez, M. E. (2004). Position of art in Adorno’s thought: Art as a memory of the possible. Estudios De Filosofía, (29), 35–47. https://doi.org/10.17533/udea.ef.12941

Issue

Section

Original or Research articles

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