Heideggers nachgelassene Klee-Notizen
DOI:
https://doi.org/10.17533/udea.ef.16658Keywords:
Event/coming into view, behold-ing, image, work of art, transformation, simplicity.Abstract
Günter Seubold presents the content of some undated fragmentary notes from Martin Heidegger about Paul Klee. But according to Heidegger, the notes have been registered towards the year 1956, which suggests, that they should be read in the light of his later philosophy. In this essay Seubold presents some of Paul Klee’s texts cited by Heidegger and he refers to the works of the Swiss painter which caused the most impact on the philosopher, and also offers some interpretations of Heidegger about the metaphysical character of western art, exposing the need to experience a change of art. Heidegger asks whether the works of modern art can still be called “Werke”, or if they are just results of technical and scientific planning. However, he proposes that the traditional concept of art as “image” Should be received from the relationship between beholding and the event-coming into view (Ereignis), referring to the work of Cezanne, Paul Klee and East Asian art, where the transformation of the essence of the art takes place, which is demanded by Heidegger.
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Copyright (c) 2013 Günter Seubold, Beatriz Bernal, Margitta Freund
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