Appearance and Image: a Review of some Platonic Dialogues

Authors

  • Carolina Delgado Universidad Nacional de General Sarmiento

DOI:

https://doi.org/10.17533/udea.ef.n54.a08

Keywords:

Image, appearance, Plato, mimesis, knowledge

Abstract

The aim of the present paper is to determine the Platonic treatment of image. For this purpose, the most relevant sections of four dialogues Republic, Sophist, Cratyilus and Phaedo are analyzed. Textual examination has contributed to detect a distinction that operates in Platonic treatment, namely the difference between 'appearance' and 'image'. While the former is an ontologically loss-making illusion, the latter assumes the role of sensible instantiation of the ideal-intelligible realities. Based on this second kind, Plato has conceived the possibility of an ideal mimesis and a comeback to the knowledge of forms.

|Abstract
= 434 veces | PDF (ESPAÑOL (ESPAÑA))
= 142 veces| | HTML (ESPAÑOL (ESPAÑA))
= 238 veces|

Downloads

Download data is not yet available.

Author Biography

Carolina Delgado, Universidad Nacional de General Sarmiento

Consejo Nacional de Investigaciones Científicas y Técnicas Instituto de Desarrollo Humano Universidad Nacional de General Sarmiento Buenos Aires, Argentina

References

Ackrill, J. (1997) “Anamnesis in the Phaedo: Remarks on 73c-75”, en: Essays on Plato and Aristotle, Oxford: Clarendon Press.

Ambuel, D. (2007) Image and Paradigm in Plato’s Sophist, Parmenides Publishing.

Belfiore, E. (1984) “A theory of imitation in Plato’s Republic”, en: TAPA 114, pp. 121-146.

Bordt, M. (2006) Platons Theologie, Freiburg-München, Karl Alber.

Branwood, L. (1990) The chronology of Plato’s Dialogues, Cambridge: Cambridge University Press.

Collobert, C. (2011) “Poetry as Flawed Reproduction: Possesion and Mimesis in Plato”, en: Destreé, P. y Herrmans, F., eds. Plato and the Poets. Leiden-Boston, Brill: Mnemosyne Suppl. Vol. 328.

Cornford, F. (1991) La teoría platónica del conocimiento: Teeteto y El Sofista. Buenos Aires, Paidós, traducción N.L. Cordero y M.D. Ligatto, 2a reimpr.

Giuliano, F.M. (2005) Platone e la poesia. Teoria della composizione e prassi della ricezione, Sankt Augustin, Academia Verlag.

Görgemanns, H. (1994) Platon, Heidelberg, Universitäts Verlag C. Winter.

Marcos, G. (2006) “La crítica platónica a oradores, poetas y sofistas. Hitos en la conceptualización de la mimesis”, en: Estudios de Filosofía, Medellín, Universidad de Antioquía 34, pp. 9-27.

Nehamas, A. (1998) “Plato on imitation and poetry in Republic 10”, en: Smith, N., ed. Plato critical assessments. Volumen III. Plato’s Middle Period: Psychology and value theory. London and New York, Routledge, pp. 273-323.

Nightingale, A (2002) “Distantviews: realistic and fantastic Mimesis in Plato”, en: Annas, J. y Rowe, Ch., eds. New Perspectives on Plato, Modern and Ancient. Cambridge: Harvard University Press.

Notomi, N. (2011) “Image-making in Republic X and the Sophist”, en: Destreé, P. y Herrmans, F., eds. Plato and the Poets. Leiden-Boston, Brill: Mnemosyne Suppl. Vol. 328.

Palumbo, L. (2008) Mimesis – Rappresentazione, teatro e mondo nei dialoghi di Platone e nella Poetica di Aristotele. Napoli: Loffedro Editore.

Platon Werke. (2004) Phaidon, Band I 4, Göttingen, Vandenhoeck und Ruprecht, Übersetzung und Kommentar T. Ebert. Platons Phaidon, (1999) Darmstadt, WB, D. Frede.

Rosen, S. (1983) Plato Sophist. The Drama of Original and Image. Yale University Press.

Tate, J. (1932) “Imitation in Plato’s Republic”, en: Classical Quarterly 22, pp. 161-169.

Untersteiner, M. (1966) Repubblica. Libro X. Studio introduttivo, testo e commento. Napoli.

Published

2016-09-18

How to Cite

Delgado, C. (2016). Appearance and Image: a Review of some Platonic Dialogues. Estudios De Filosofía, (54), 131–149. https://doi.org/10.17533/udea.ef.n54.a08

Issue

Section

Original or Research articles

Categories