Antagonism between representationism and abstractionism in antioqueño art
DOI:
https://doi.org/10.17533/udea.ef.335777Keywords:
Antioqueño art, representationism, abstractionism, Fernando Botero, Aníbal GilAbstract
Between 1945 and 1965, Medellin witnessed the struggle of opposed attitudes about the problems of Modern Art. Abstract art was rejected in the artistic environment, it was not considered as an acceptable means of self expression. This retarding view point let the Antioqueño art almost completely outside the renovation undergone by the art elsewhere in the nation. Exceptions to this during that period are the works of Fernando Bolero and Aníbal Gil.
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LIBROS
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Archivo de prensa Museo de Antioquia. Entre 1946 y 1965.
Archivo de prensa de Leonel Estrada. Sobre los siguientes artistas: Rafael Sáenz, Aníbal Gil, Humberto Chávez, Rodrigo Callejas y Carlos Martínez.
ENTREVISTAS
CÁRDENAS, Jorge. Realizada por: Sofía Arango, Miguel Escobar y Jesús Gaviria y Alberto González. Medellin, 16 de Noviembre de 1999.
GIL, Aníbal. Realizada por: Sofía Arango, Miguel Escobar y Jesús Gaviria. Medellin, 3 y 4 de Noviembre de 1999.
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