The harmonies of the soul pf the platonic world

Authors

  • Luis Alberto Fallas López Universidad de Costa Rica

DOI:

https://doi.org/10.17533/udea.ef.338013

Keywords:

Platonic world, Pitagoric School, art-music.

Abstract

lt is maintained that the Platonic world is not the world of ideas, but the world of sensibility. To prove it, the author comes back, historically and philosophically, to the Pitagoreans, though he does not share totally their believing that only numbers can solve the questions about the world. By his part, searching for an aesthetics of sublime where sensibility is highly praised, he propases a musical seale. This sensibility would affirm a new rationalism against the logical qualities of discourse. As a consequence ofall this, artists are jolly important, as important as it is to define the nature of artistic phenomenon. So, music is invoked to foster understanding Plato, and the art of the Daemon is but that of a matemathician-musician.

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References

lfred E. Taylor. A commentary on Plato's Timaeus. Oxford, 1928.

Francis M. Comford. Plato's cosmology. London, 1937.

Gregory Vlastos. Plato's Universe. Oxford, 1975.

Luc Brisson. Le meme ell'autre dans la structure ontologique du Tinée de Platon. Sank:tAugustin, 1994.

Published

1998-01-26

How to Cite

Fallas López, L. A. (1998). The harmonies of the soul pf the platonic world. Estudios De Filosofía, (17-18), 73–93. https://doi.org/10.17533/udea.ef.338013

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Section

Original or Research articles

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