The Loss of Naivety in Pablo Montoya’s Triptych of Infamy: Approximations to the Discourse
DOI:
https://doi.org/10.17533/udea.lyl.n77a23Keywords:
loss of naivety, social being, mediator artist, refraction, social realityAbstract
This article will expose the loss of naivety or evidence (Maya, 2006) in Pablo Montoya’s novel Triptych of Infamy. The evidence is a notion that attempt to demonstrate that both the writer and the painter-characters, whose visual works favor the unfolding of the novel plot, are community beings and mediating artists, who take the content of their creations with a critical perspective from a social reality, taking distance from it without imitating it, but refracting it. This process leaves on record that the paintings and the novel are stripped of ingenuity.
Downloads
References
Adorno, T. (2004). Teoría estética. Madrid: Ediciones Akal.
Barriga, J. (11 de abril de 2014). Pablo Montoya gana el premio internacional Rómulo Gallegos. En Revista Arcadia. Recuperado de https://www.revistaarcadia.com/libros/articulo/pablo-montoya-gana-premio-internacinal-romulo-gallegos/39788
Bayas, J. (2019). Violencia, arte y política en Tríptico de la infamia, de Pablo Montoya Campuzano (Tesis de maestría). Universidad Andina Simón Bolívar.
Burker, Peter. (2005). Visto y no visto. El uso de la imagen como documento histórico. Barcelona: A&M Gráfic.
Carrizo, S. (Ed.) (2008). Escrituras del viaje. Construcción y recepción de «fragmentos de mundo» Buenos Aires: Biblos.
Huizinga, J. (2005). El elemento estético de las representaciones históricas. Prismas, Revista de historia intelectual, 9, 91-107. Recuperado de http://www.saavedrafajardo.org/Archivos/Prismas/09/Prismas09-06.pdf
Le Goff, J. (1991). Documento/monumento. En El orden de la memoria. El tiempo como imaginario. [Traducción de Hugo Fernando Bauzá]. Barcelona: Ediciones Paidós Ibérica.
Maya, C. (2006). El arte como mediación de la utopía. Medellín: Fondo Editorial Universidad EAFIT.
Montoya, P. (2014). Tríptico de la infamia. Bogotá: Penguin Random House Grupo Editorial, S.A.S.
Montoya, P. (2014). La representación pictórica de los indios timucuas en Jacques Le Moyne y Théodore de Bry. Boletín de Antropología, 27 (14), 116-140. Recuperado de https://aprendeenlinea.udea.edu.co/revistas/index.php/boletin/article/view/20388
Ricoeur, P. (1986). «Le Mal: un défi à la philosophie et à la théologie» (1986). En Lectures 3, Aus frontières de la philosophie, [tr. Personal. G. Zapata, SJ. Paris: Ed. Seuil], 1994, (pp. 211-233). Recuperado de http://www.pensamientopenal.com.ar/system/files/2014/12/doctrina38821.pdf
Romero, R. (2017). Paisajes latinoamericanos de artistas viajeros del siglo XIX en la Colección Patricia Phelps de Cisneros. En Abreu Xavier, A. (Ed.), La Península ibérica, el Caribe y América Latina: Diálogos a través del comercio, la ciencia y la técnica (Siglos XIX–XX). Évora: Publicações do Cidehus. doi:10.4000/books.cidehus.2917 Recuperado de https://books.openedition.org/cidehus/2917?lang=es
Sofsky, W. (2006). Tratado sobre la violencia. Madrid: Abada Editores.
Todorov, T. (1998). La conquista de América. El problema del otro. México: Siglo XXI Editores.
Published
How to Cite
Issue
Section
License
Copyright (c) 2020 Lingüística y Literatura
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Creative Commons by-nc-sa
Those authors who have publications with this journal, accept the following terms:
1. The journal is the owner of the copyright of the articles, which will be simultaneously subject to the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. that allows third parties to share the work provided its author is indicated and its first publication in this journal.
2. The authors may adopt other agreements of non-exclusive license of distribution of the version of the published work (e.g., deposit it in an institutional telematic file or publish it in a monographic volume) provided that the initial publication in this journal is indicated.
3. Authors are allowed and recommended to disseminate their work via the Internet (e.g. in institutional telematic files or on their website) before and during the submission process, which can produce interesting exchanges and increase citations of the published work.
