Philological study of the editions of Aire de tango by Manuel Mejía Vallejo
DOI:
https://doi.org/10.17533/udea.elc.n43a04Keywords:
critical edition, textual criticism, literary reception, Colombian literature, Aire de tango, Manuel Mejía VallejoAbstract
In the present article, the philological analysis of the editions of the novel Aire de tango (1973) by the Colombian writer Manuel Mejía Vallejo is exposed. This study is made from the theoretical-methodological approach of textual criticism and thus, exposes the process of the critical edition of the novel in question in one of its initial stages: the recensio and the examinatio. In this way, a description of the editions used in the collatio, an analysis of the types of variants found in this philological process and a brief analysis of the reception of the novel that complements the proposed philological study will be presented.
Downloads
References
Ábrego, P. (2004). Tango y mito en Aire de tango. Agenda Cultural Alma Mater 111, pp. 8-11.
Blecua, A. (2012). Manual de crítica textual. Madrid: Gredos.
Cobo Borda, J. G. (1988). La narrativa colombiana después de García Márquez/Visión a vuelo de pájaro. Boletín Cultural y Bibliográfico 25 (14). Recuperado de https://publicaciones.banrepcultural.org/index.php/boletin_cultural/article/view/2891 [25.07.2017]
Corbatta, J. (1986). Historia y mito en Aire de tango de Manuel Mejía Vallejo. Inti. Revista de Literatura Hispánica 1 (26), pp. 136-143.
Corbatta, J. (2000). Tango y literatura en Antioquia: M. M. Vallejo, Ó. Hernández, M. Rivero, J. J. Hoyos. En M. Jaramillo, B. Osorio y Á. Robledo (Eds.). Literatura y Cultura. Narrativa Colombiana del siglo XX. Hibridez y alteridades (pp. 543-583). Bogotá: Ministerio de Cultura.
Corbatta, J. (2003). Lo que va de ayer a hoy: Medellín en Aire de tango de Manuel Mejía Vallejo y La virgen de los sicarios de Fernando Vallejo. Revista Iberoamericana LXIX (204), pp. 689-699.
Jauss, H. R. (1986). Experiencia estética y hermenéutica literaria (Ensayos en el campo de la experiencia estética). Madrid: Taurus.
Mejía Vallejo, M. (1973). Aire de tango. Medellín: Bedout.
Mejía Vallejo, M. (1979). Aire de tango. Medellín: Plaza y Janés.
Mejía Vallejo, M. (2000). Aire de tango. Medellín: Concejo de Medellín-Biblioteca Pública Piloto de Medellín para América Latina.
Mejía Vallejo, M. (2003). Aire de tango. Bogotá: El Tiempo. Casa Editorial.
Mejía Vallejo, M. (2008). Aire de tango. Medellín: Fondo Editorial Universidad Eafit.
Mejía Vallejo, M. (2014). Aire de tango. Medellín: Fondo Editorial Unaula.
Morocho Gayo, G. (2004). Estudios de crítica textual (1979-1986). Murcia: Universidad de Murcia.
Orrego, J. A. (2008). Antimodernidad y lógica narrativa: El neo-regionalismo en Manuel Mejía Vallejo. (Tesis doctoral). Iowa: University of Iowa. Recuperado de https://search.proquest.com/openview/173a19e8ad919b2ac15b2e6b1e19edb9/1?pq-origsite=gscholar&cbl=18750&diss=y [25.07.2017].
Pérez Priego, M. A. (2010). Ejercicios de crítica textual. Madrid: Uned.
Pérez Priego, M. A. (2011). La edición de textos. Madrid: Síntesis.
Real Academia Española. (1974). Ortografía. Madrid: Aguirre.
Real Academia Española. (1999). Ortografía de la lengua española. Bogotá: Espasa Calpe.
Real Academia Española. (2010). Ortografía de la lengua española. Bogotá: Espasa Calpe.
Real Academia Española. (2016). Nueva gramática de la lengua española. Madrid: Real Academia Española. Recuperado de https://goo.gl/8QFVye [11.02.2016]
Tavani, G. (2005). Metodología y práctica de la edición crítica de textos literarios contemporáneos. En A. Segala (Ed). Archivos. Cómo editar la literatura latinoamericana del siglo xx (pp. 260-274). París: Centre de Recherches Latino-Américaines-Archivos.
Villegas, M. C. (2012). Unidades fraseológicas en Aire de tango de Manuel Mejía Vallejo. Lingüística y Literatura 33 (62), pp. 211-225.
Published
How to Cite
Issue
Section
License
Copyright (c) 2018 Estudios de Literatura Colombiana
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Authors who publish in Estudios de Literatura Colombiana must meet the following criteria for authorship:
- Substantial contributions to the conception and design of the work; and the acquisition, analysis, or interpretation of data for the work.
- Drafting the work or revising it critically for important intellectual content.
- Final approval of the version to be published.
- Agreement to be accountable for all aspects of the work in ensuring that questions related to the accuracy or integrity of any part of the work are appropriately investigated and resolved.
In addition, the authors agree to the following terms:
- The authors are accountable for the content of the work.
- Estudios de Literatura Colombiana is not responsible for aspects related to copying, plagiarism or fraud that may appear in the articles published in it.
- It is the authors' responsibility to obtain the necessary permissions to reproduce any copyrighted material. When photographs or personal data are to be reproduced and disseminated in printed or digital form, informed consent is required. Therefore, this requirement must be met by the authors upon receipt of the manuscript.
- The authors retain moral rights and transfer their economic rights to Estudios de Literatura Colombiana, which will correspond to the Universidad de Antioquia, to publish the articles on the website, brochures, social networks, distribute electronic copies, include them in indexing services, directories, national and international database repositories, under the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA).
- The authors will sign the declaration of transfer of economic rights to the Estudios de Literatura Colombiana, after acceptance of the manuscript.
- Authors may not withdraw the manuscript once it has been approved for publication. Otherwise they will have to bear the costs of the process. If they intend to withdraw the manuscript before its approval, they must send an official statement approved by all the authors.
- The material created by you may be distributed, copied and exhibited by third parties if and only if it is specified in the credits. No commercial benefit may be obtained and derived works must be compulsorily under the same terms of the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA) used in the original work.
