Amílcar Osorio and Vana Stanza. Autotranslation and Intersemiotic Translation in Colombian Poetry
DOI:
https://doi.org/10.17533/udea.elc.349115Keywords:
Amílcar Osorio, Vana Stanza, self-translation, con-crete poetry, visual poetryAbstract
This article deals with 121 exercises in self-translation by the Colombian poet Amílcar Osorio, which were found in his personal archive. In these poems, at first sight English translations from his poetry book Vana Stanza, we can actually observe exercises of self-translation, but also incursions into concrete and visual poetry. We consider Vana Stanza to be an incomplete work that only partly portrays Osorio's poetic production. In the archive, we manage to expand on the poet’s experimental explorations in which a dialogue not only between different semiotic systems but also between two languages is evident.
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