Tomás Carrasquilla en dos historias de la literatura colombiana
DOI:
https://doi.org/10.17533/udea.elc.9873Abstract
Las historias de la literatura colombiana de finales del siglo XIX y principios del XX, a la vez que se comprometieron con el objetivo político de consolidación de la nación, cumplieron una función canonizadora que significó coadyuvar con el establecimiento del selecto listado de obras y autores que se entendían como los más relevantes del proceso literario colombiano. Esta función estuvo directamente relacionada con el aspecto político, siendo el factor principal en la delimitación del canon y en la valoración de las obras y los autores. Tales historias pretendieron contribuir a la formación de sentimientos patrióticos y nacionalistas (Toro, 2007, 64), y ello se vio claramente manifestado en el canon.
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References
Bedoya Sánchez, Gustavo Adolfo. “El concepto de realismo en cinco historias de la literatura colombiana (una revisión historiográfica)”, Trabajo de investigación para optar al título de magíster en Literatura Colombiana. Medellín: Universidad de Antioquia, 2006.
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Cortázar, Roberto (1908). La novela en Colombia. Medellín: Eafit, 2003, 196.
Laverde Ospina, Alfredo. “(Im)pertinencia del concepto de tradición literaria para una historia de la literatura colombiana”, en: Lingüística y Literatura, Medellín: Año 27, N.º 49, 2007, 33-50.
Mújica, Elisa. “Costumbrismo”, en: Enciclopedia de Colombia, Vol. 5. Nueva Granada: San Sebastián, 1977, 3-23.
Reyes, Carlos José. “El costumbrismo en Colombia”, en: Manual de literatura colombiana, Bogotá: Planeta-Procultura, 1988, 175-245.
Toro Henao, Diana Carolina. “Historias literarias nacionales: una realidad política”, en: Lingüística y Literatura, Medellín: Año 27, N.º 49, 2007, 51-73.
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