Copy and simulation in Plato's Sophist
DOI:
https://doi.org/10.17533/udea.ef.338196Keywords:
Plato, The Sophist, imitation, imageAbstract
In The Sophist, Plato aims to determine the being of sophist. In their search, speakers recur to a method of division, thanks to which they describe the sophist as possessing an art by which he imitates reality ofentity. Contrary to Parmenides, who would deny the being of non-Being, for Plato, in image non-Being shares being and becomes absolute non-Being. In this context, the author of the article tries to understand imitation in arts by distinguishing two ways ofimitation: art of copying and simulacrum. The pretty difference between them lies in the way each one relates to the model, which after a very punctual analysis comes to be identified with the reality ofentity itself.
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Copyright (c) 1997 Carlos Másmela
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