Copy and simulation in Plato's Sophist

Authors

  • Carlos Másmela Universidad de Antioquia

Keywords:

Plato, The Sophist, imitation, image

Abstract


In The Sophist, Plato aims to determine the being of sophist. In their search, speakers recur to a method of division, thanks to which they describe the sophist as possessing an art by which he imitates reality ofentity. Contrary to Parmenides, who would deny the being of non-Being, for Plato, in image non-Being shares being and becomes absolute non-Being. In this context, the author of the article tries to understand imitation in arts by distinguishing two ways ofimitation: art of copying and simulacrum. The pretty difference between them lies in the way each one relates to the model, which after a very punctual analysis comes to be identified with the reality ofentity itself.

|Abstract
= 153 veces | PDF (ESPAÑOL (ESPAÑA))
= 191 veces|

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Published

1997-12-01

How to Cite

Másmela, C. (1997). Copy and simulation in Plato’s Sophist. Estudios De Filosofía, (15-16), 33–39. Retrieved from https://revistas.udea.edu.co/index.php/estudios_de_filosofia/article/view/338196

Issue

Section

Original or Research articles