Fusion music and anarcho punk in Bogotá and Medellín. Some legal perceptions
DOI:
https://doi.org/10.17533/udea.esde.2555Keywords:
copyright, share economy, open business, musical circulation, copyleft, free licenses, creative commons, social commons, legal commons, musical industry, musical cultureAbstract
“Fusion music and anarcho punk in Bogotá and Medellín” gets register within a research project around Open Business models in Latin America. The Colombian project works on diverse themes among which I emphasize the relations of these artists with specifics copyright issues and with general law topics. This article presents the said project, relating data of the Colombian musical production and the artist´s daily legal perception to resent theories about the existence of two economics, the first one or traditional which responds to commercial economic logics and the second one which is not essentially based on the exchange of money.
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