The subject is born from improvisation: notes on transmission and incorporation of language
DOI:
https://doi.org/10.17533/udea.affs.327239Keywords:
music, psychoanalysis, improvisation, voice, languageAbstract
This paper proposes a reflection on musical improvisation that evokes the primordial musical improvisation, the one of the origin of the subject. Redirection, voice, invocation and transmission of language are present there. The improvised response to the real of the subject is organized and modulated cadenced by repetition. It falls to the analytic work to invite the subject to improvise beyond the symptomatic repetition, by relistening to the vestiges of lalangue that musically insist in him and by listening to the unexpected real that invokes the unknown, the still-not-heard. This work would consist on going from free association to free improvisation.
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