Vol. 25 No. 32 (2025): Artes La Revista

View Vol. 25 No. 32 (2025): Artes La Revista

The history of artistic practices in Colombia and internationally is also the history of cultural resistance. In a world where visual, auditory, and bodily languages are constantly absorbed by the logic of the market, entertainment, and empty aestheticization, it is urgent to insist on the critical power of art. This power is not an essential attribute or an ontological guarantee of the artistic object, but rather a possibility that is actualized in historical tensions, social frictions, and the will to denaturalize that which is presented as evident.

Published: 2025-12-12

Full Issue

Editorial

Artículos de investigación

  • Álvaro Romero Sánchez and his bambuco Dical. Two versions, two important references

    Wilson Fernando Luján Zapata
    18-45
    |Abstract
    = 3 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361579

Artículos de Reflexión

  • Eurocentric logic in training in the Master of Music in two universities in Bogotá

    Gustavo Martínez Palacio
    48-67
    |Abstract
    = 1 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361640

  • Introduction to musical whistling

    Juan Pablo Henao Sánchez
    70-88
    |Abstract
    = 5 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361580

  • The Situationist International and the utopian urbanism of Constant Anton

    Wilson Stiven Bohórquez Barrera
    92-112
    |Abstract
    = 1 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361642

  • Sustainability of life in the common home. Reflections from contemporary artistic creation

    John Jairo Nomesqui Delgado
    116-135
    |Abstract
    = 1 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361645

Work

  • Paleography on an embroidery: Elizabeth Parker’s sampler (1830)

    Carolina Fernández Pérez
    138-150
    |Abstract
    = 2 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361646

  • Gé Labarca's vital figurative gestures

    Gerardo Labarca
    154-161
    |Abstract
    = 1 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361710

  • PAINT × PAINT. Pilot seedbed in contemporary painting

    Kamel Ilián Carrillo
    164-165
    |Abstract
    = 2 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361786

Traducciones

  • Art criticism: writing without readers

    James Elkins; Carlos Vanegas Zubiría
    |Abstract
    = 3 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361680

Reseñas

  • New Horizons in Art History. Review

    Julián David Chavarría
    |Abstract
    = 2 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361681

  • Rethinking Art History in Colombia: Criticism, Methodologies, and New Perspectives. Review

    Carlos Vanegas Zubiría
    |Abstract
    = 4 veces | PDF (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.artes.361682

Obra Gráfica