Mito and Spain
DOI:
https://doi.org/10.17533/udea.elc.9690Keywords:
Mito journal, spanish and Colombian literature relationsAbstract
To understand the role the journal Mito exerted on Colombian culture, it is necessary to know the work of Baldomero Sanin Cano. Mito is, above all, a response of a new generation of poets with an anti Spanish expression to the previous one, Piedra y Cielo, which enthusiastically proclaimed Spanish ideals. In consequence Mito opens up a dialogue of equality among Colombian and Spanish poets, it is the literary product, of a generation of writers who would directly participate in a political project that has left terrible consequences for the present of the country, the so called Frente Nacional. Its pages opened to different cultures and its political spirit was based on a freedom of speech admirably for a country permeated by a repressive notion of Spanish culture. The essence of Mito consists in an ideological pluralism that only required fulfilling ethical principles.
Downloads
References
Caballero Bonald, José Manuel. La costumbre de vivir.Madrid, Alfaguara, 2001.
Caro, Miguel Antonio Caro. “La religión y la poesía”, en: Artículos y discursos, Bogotá, Ed. Iqueima, 1951, 367-392.
____________. “Poesías de Menéndez y Pelayo”, en: Homenaje a don Marcelino Menéndez y Pelayo en el primer centenario de su nacimiento, Bogotá, Antares, 1956, 7-50.
Carranza, Eduardo. “Palabras de un poeta a otro poeta”, en: Mito, N.os 41 y 42, marzo-abril y mayo-junio 1962, Bogotá, 201-205.
Charry Lara, Fernando. “La emancipación literaria de Hispanoamérica”, en: Mito, N.° 31 32, julio y agosto-septiembre y octubre 1960, Bogotá, 64-66.
Cote, Pedro, “Epístolas alrededor de Mito”, en: Textos sobre Jorge Gaitán Durán, Fundación de Poesía Silva, Bogotá, 1990, 169-200.
De Greiff, León. Obra completa, Vol. III. Bogotá, Procultura, 1986.
Gaitán Durán, Jorge. “Editorial”, en Mito, N.° 1, abril-mayo 1955, Bogotá, 1-2.
Gilard, Jacques. “las revistas de Arciniegas: la inteligencia y el poder”, en: Maryse Renaud (coord). En torno a Germán Arciniegas, Poitiers, Université de Poitiers, 2002, 11-27.
____________. “Para desmitificar a Mito”, en: Revista Estudios de Literatura Colombiana, N.° 17, Medellín, Universidad de Antioquia, 2005, 13-58.
Gómez, Juan Guillermo. “Gutiérrez Girardot y España” (artículo inédito).
Goytisolo, Juan. Memorias, Coto vedado, en los reinos de Taifa. Barcelona, Península, 2002.
Guillén, Jorge. “Despertar español”, en: Mito, N.° 41-42, marzo-abril y mayo-junio 1962, Bogotá, 193-196.
Gutiérrez Girardot, Rafael. “España e Hispanoamérica, apuntes sobre la hispanidad”, en: Cuadernos Hispanoamericanos, N.° 68-69, Madrid, agosto-septiembre 1955, 236-244.
____________.“La literatura colombiana en el siglo XX”, en: Manual de Historiade Colombia, Vol. III, Bogotá, Ministerio de Cultura y TM Editores, 1999, 445-536.
____________.“Ortega y Gasset o el arte de la simulación majestuosa”, en: Provocaciones. Medellín, Fundación Editorial Investigar-Fundación Nuestra América Mestiza, 1992, 93-106.
____________. “Una biblioteca de autores colombianos”, en: Cuadernos Hispanoamericanos, N.° 44, Madrid, agosto 1953, 218-220.
Jiménez, David. Historia de la crítica literaria en Colombia, Bogotá, Universidad Nacional de Colombia, 1992.
____________. Poesía y canon. Bogotá, Norma, 2002.
Montoya, Pablo. “Pedro Gómez Valderrama, Mito y el Frente Nacional”, en: Revista Estudios de literatura colombiana, N.° 17, Medellín, Universidad de Antioquia, 2005, 71-81.
Sánchez, Gonzalo. “La violencia: de Rojas al Frente Nacional”, en: Nueva Historiade Colombia, vol. II, Bogotá, Planeta, 2001, 153-178.
Sanín Cano, Baldomero. “De lo exótico”, en: Escritos. Bogotá, Instituto Colombiano de Cultura, 1977, 335-346.
____________. “Declaración de los Intelectuales Colombianos durante el Paro General”, en: Mito, año VIII, N.° 13, marzo-abril de 1957, Bogotá, 6-8.
____________. “Menéndez y Pelayo”, en: Escritos. Bogotá, Instituto Colombiano de Cultura, 1977, 561-566.
____________. “Núñez poeta”, en: Escritos, Bogotá, Instituto Colombiano de Cultura, 1977, 41-64.
Reyes, Alfonso. “Notas sobre la inteligencia americana”, en: Ultima Tule y otros ensayos. Caracas, Biblioteca Ayacucho, 1991, 230-235.
Sarmiento Sandoval, Pedro. La revista Mito en el tránsito de la modernidad a la posmodernidad literaria en Colombia. Bogotá, Caro y Cuervo, 2006.
Valencia Goelkel, Hernando, “José Ortega y Gasset” en Mito, N.° 5, diciembre 1955-enero1956, Bogotá, 382.
____________. “Como yo los amé, divagaciones sobre el escritor hispanoame-ricano III”, en: Crónicas de libros. Bogotá, Instituto Colombiano de Cultura, 1976, 195-201.
Downloads
Published
How to Cite
Issue
Section
License
Authors who publish in Estudios de Literatura Colombiana must meet the following criteria for authorship:
- Substantial contributions to the conception and design of the work; and the acquisition, analysis, or interpretation of data for the work.
- Drafting the work or revising it critically for important intellectual content.
- Final approval of the version to be published.
- Agreement to be accountable for all aspects of the work in ensuring that questions related to the accuracy or integrity of any part of the work are appropriately investigated and resolved.
In addition, the authors agree to the following terms:
- The authors are accountable for the content of the work.
- Estudios de Literatura Colombiana is not responsible for aspects related to copying, plagiarism or fraud that may appear in the articles published in it.
- It is the authors' responsibility to obtain the necessary permissions to reproduce any copyrighted material. When photographs or personal data are to be reproduced and disseminated in printed or digital form, informed consent is required. Therefore, this requirement must be met by the authors upon receipt of the manuscript.
- The authors retain moral rights and transfer their economic rights to Estudios de Literatura Colombiana, which will correspond to the Universidad de Antioquia, to publish the articles on the website, brochures, social networks, distribute electronic copies, include them in indexing services, directories, national and international database repositories, under the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA).
- The authors will sign the declaration of transfer of economic rights to the Estudios de Literatura Colombiana, after acceptance of the manuscript.
- Authors may not withdraw the manuscript once it has been approved for publication. Otherwise they will have to bear the costs of the process. If they intend to withdraw the manuscript before its approval, they must send an official statement approved by all the authors.
- The material created by you may be distributed, copied and exhibited by third parties if and only if it is specified in the credits. No commercial benefit may be obtained and derived works must be compulsorily under the same terms of the Creative Commons Attribution-Noncommercial-Share Alike 4.0 International Commercial License (CC BY-NC-SA) used in the original work.
