Aesthetics and Philosophy of Art

117 Items

All Items

  • José Antonio Suárez: a private matter

    Beatriz González de Ripoll
    25-32
    |Abstract
    = 534 veces | PDF (ESPAÑOL (ESPAÑA))
    = 277 veces|
    DOI: https://doi.org/10.17533/udea.ef.335769

  • The world of art. The currency of kantian concept of autonomy of art

    Lucy Carrillo Castillo
    101-118
    |Abstract
    = 915 veces | PDF (ESPAÑOL (ESPAÑA))
    = 207 veces|
    DOI: https://doi.org/10.17533/udea.ef.335774

  • Theater and conflict

    Farley Velásquez Ochoa
    79-86
    |Abstract
    = 459 veces | PDF (ESPAÑOL (ESPAÑA))
    = 231 veces|
    DOI: https://doi.org/10.17533/udea.ef.335772

  • Antagonism between representationism and abstractionism in antioqueño art

    Sofia Stella Arango Restrepo
    149-166
    |Abstract
    = 587 veces | PDF (ESPAÑOL (ESPAÑA))
    = 387 veces|
    DOI: https://doi.org/10.17533/udea.ef.335777

  • Art and photography: a history of agreements and disagreements

    Carlos Alberto Galeano Marín
    34-56
    |Abstract
    = 718 veces | PDF (ESPAÑOL (ESPAÑA))
    = 1342 veces|
    DOI: https://doi.org/10.17533/udea.ef.335770

  • The projects of lija Kabakow. Life in a space time installation

    Luis Xavier López Farjeat
    119-136
    |Abstract
    = 575 veces | PDF (ESPAÑOL (ESPAÑA))
    = 147 veces|
    DOI: https://doi.org/10.17533/udea.ef.335775

  • Art Autonomy and its Truths. Modern Aesthetic purism and contemporary artistic pluralism

    Javier Domínguez Hernández
    87-99
    |Abstract
    = 536 veces | PDF (ESPAÑOL (ESPAÑA))
    = 2171 veces|
    DOI: https://doi.org/10.17533/udea.ef.335773

  • Formalism and autonomy in the history of art

    Carlos Arturo Fernández Uribe
    57-78
    |Abstract
    = 916 veces | PDF (ESPAÑOL (ESPAÑA))
    = 2640 veces|
    DOI: https://doi.org/10.17533/udea.ef.335771

  • Nearer of boundary

    Sergio Mesa Saldarriaga
    137-147
    |Abstract
    = 494 veces | PDF (ESPAÑOL (ESPAÑA))
    = 142 veces|
    DOI: https://doi.org/10.17533/udea.ef.335776

  • Art as horizon. On the link between art and religion in contemporary western culture

    Adolfo León Grisales Vargas
    29-43
    |Abstract
    = 545 veces | PDF (ESPAÑOL (ESPAÑA))
    = 406 veces|
    DOI: https://doi.org/10.17533/udea.ef.338010

  • What does it mean to do an hermeneutics experience with the art?

    Beatriz Elena Bernal R.
    45-57
    |Abstract
    = 747 veces | PDF (ESPAÑOL (ESPAÑA))
    = 357 veces|
    DOI: https://doi.org/10.17533/udea.ef.337989

  • Image and desire in artistic creation

    Carlos Salas
    41-52
    |Abstract
    = 694 veces | PDF (ESPAÑOL (ESPAÑA))
    = 441 veces|
    DOI: https://doi.org/10.17533/udea.ef.338201

  • Icon and hermeneutics of the image. A reading by Hans Belting

    Carlos Arturo Fernández Uribe
    21-31
    |Abstract
    = 846 veces | PDF (ESPAÑOL (ESPAÑA))
    = 442 veces|
    DOI: https://doi.org/10.17533/udea.ef.338199

  • Architecture, experience and image. Exploring Bergson's path

    Beatriz García Moreno
    9-19
    |Abstract
    = 732 veces | PDF (ESPAÑOL (ESPAÑA))
    = 225 veces|
    DOI: https://doi.org/10.17533/udea.ef.338195

  • Transesthetics of waste (Critique of pure sensation)

    Félix Duque
    53-90
    |Abstract
    = 502 veces | PDF (ESPAÑOL (ESPAÑA))
    = 274 veces|
    DOI: https://doi.org/10.17533/udea.ef.338203

  • Image of destruction. Vertigo aesthetics

    Miguel Ángel Ramos Sánchez
    131-164
    |Abstract
    = 563 veces | PDF (ESPAÑOL (ESPAÑA))
    = 166 veces|
    DOI: https://doi.org/10.17533/udea.ef.338200

  • Hermeneutical and hermeneutical aesthetics of the image. The articulation of image and language in H. G. Gadamer and G. Boehm

    Javier Domínguez
    91-111
    |Abstract
    = 799 veces | PDF (ESPAÑOL (ESPAÑA))
    = 566 veces|
    DOI: https://doi.org/10.17533/udea.ef.338198

  • Transit and decline of the image

    Luis Fernando Valencia
    113-129
    |Abstract
    = 751 veces | PDF (ESPAÑOL (ESPAÑA))
    = 110 veces|
    DOI: https://doi.org/10.17533/udea.ef.338204

  • Location strategies. Colombian art after modern art

    Luis Fernando Valencia
    89-112
    |Abstract
    = 607 veces | PDF (ESPAÑOL (ESPAÑA))
    = 184 veces|
    DOI: https://doi.org/10.17533/udea.ef.338447

  • Art, communication, technologies

    Jesús Martín Barbero
    57-70
    |Abstract
    = 216 veces | PDF (ESPAÑOL (ESPAÑA))
    = 358 veces|
    DOI: https://doi.org/10.17533/udea.ef.338443

  • The history after the death of art

    Carlos Arturo Fernández Uribe
    9-27
    |Abstract
    = 658 veces | PDF (ESPAÑOL (ESPAÑA))
    = 424 veces|
    DOI: https://doi.org/10.17533/udea.ef.338451

  • Image and knowledge, mimesis as a universal category

    Alba Cecilia Gutiérrez Gómez
    113-139
    |Abstract
    = 709 veces | PDF (ESPAÑOL (ESPAÑA))
    = 1408 veces|
    DOI: https://doi.org/10.17533/udea.ef.338448

  • Art and art history

    Beatriz González
    29-42
    |Abstract
    = 841 veces | PDF (ESPAÑOL (ESPAÑA))
    = 2628 veces|
    DOI: https://doi.org/10.17533/udea.ef.338446

  • Philosophical positions of Hegel and Danto on "the end of art"

    Javier Domínguez Hernández
    71-87
    |Abstract
    = 782 veces | PDF (ESPAÑOL (ESPAÑA))
    = 1691 veces|
    DOI: https://doi.org/10.17533/udea.ef.338453

  • Photography and the death of art

    Carlos Jiménez Moreno
    43-55
    |Abstract
    = 797 veces | PDF (ESPAÑOL (ESPAÑA))
    = 341 veces|
    DOI: https://doi.org/10.17533/udea.ef.338450

  • Introduction: form and content, philosophy and literature

    Martha Nussbaum; Erna von der Walde
    43-106
    |Abstract
    = 2785 veces | PDF (ESPAÑOL (ESPAÑA))
    = 3744 veces|
    DOI: https://doi.org/10.17533/udea.ef.338797
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