Construindo Histórias em Exposições de Museus: Poder Curatorial, Antropologia e Representações de Artesãos e Povos Indígenas da América Latina

Autores

DOI:

https://doi.org/10.17533/udea.boan.v40n69a4

Palavras-chave:

anthropology of museums, Indigenous peoples, Latin America, artisans, representations, museum exhibitions, study up, coloniality, consultations, museum internships

Resumo

No contexto de dois projectos de estágio, um no Smithsonian National Museum of the American Indian (NMAI), nos Estados Unidos, e outro no Museo Universitario Universidad de Antioquia (MUUA), na Colômbia, este artigo contrasta a forma como os artesãos e as comunidades indígenas da América Latina são representados nas exposições. Baseio-me na perspetiva do Study Up e dos Critical Museum Studies para analisar as raízes coloniais dos museus em ambos os países e a forma como são perpetuadas ou confrontadas através da atual produção de exposições. Através da recolha metodológica de registos etnográficos e arquivísticos, este ensaio questiona o exercício do poder curatorial e o papel da antropologia, do antropólogo e dos grupos subalternos.

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Biografia do Autor

Jorge Luis Arcia Durán, University of Florida

Graduação em Antropologia pela Universidad de Antioquia (Colômbia) e Mestrado em Estudos Latino-Americanos pela University of Florida (Estados Unidos).

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Publicado

2025-02-28

Como Citar

Arcia Durán, J. L. (2025). Construindo Histórias em Exposições de Museus: Poder Curatorial, Antropologia e Representações de Artesãos e Povos Indígenas da América Latina. Boletim De Antropologia, 40(69), 69–94. https://doi.org/10.17533/udea.boan.v40n69a4