La Marquesa de Yolombó: between the territory of magic and the territory of instrumental reason
DOI:
https://doi.org/10.17533/udea.boan.15627Keywords:
End of colonial period, synchretism, regional project, urban-rural, civilization-barbarism, premoderdnity-progress.Abstract
This article seeks to interrogate the visions that contributed to reproducing the hegemonic project that shpaed the mestizaje process in Antioquia. These visions are structured around oppositions such as civilized/savage and urban/rural. This hegemonic project—a cultural, territorial and hegemonic endeavor—is analyzed through the novel La Marquesa de Yolombó by Tomás Carrasquilla.
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