El folclor y el patrimonio frente a la hibridación y la globalización en la música colombiana. Tensiones tradicionalistas vs. modernizadoras: políticas culturales, poder e identidad

Darío Blanco Arboleda

doi:10.17533/udea.boan.17840

Folklore and heritage confronting the hybridization and globalization of Colombian music. Tensions between tradition and modernization, cultural politics, power and identity

Authors

Darío Blanco Arboleda University of Antioquia

DOI:

https://doi.org/10.17533/udea.boan.17840

Keywords:

Colombian music, folklore, heritage, tradition, authenticity, hybridization, bambuco, cultural policy, power, hegemony.

Abstract

This article seeks to discuss and make evident how the tensions between tradition-folk-heritage and modernity-hybridizations-mass-media on colombian music scene have been solved and how this solution affects their main function which is to provide identity to people and communities. Within this complex relationship, crossed by power variables, by speeches and actions of individuals and communities to create and build their lives around these concepts, there are major disputes, contradictions, shifts and negotiations.

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Author Biography

Darío Blanco Arboleda, University of Antioquia

Teacher and researcher in the Department of Anthropology of the Faculty of Social and Human Sciences.

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Published

2013-12-05

How to Cite

Blanco Arboleda, D. (2013). Folklore and heritage confronting the hybridization and globalization of Colombian music. Tensions between tradition and modernization, cultural politics, power and identity. Boletín De Antropología, 28(45), 180–211. https://doi.org/10.17533/udea.boan.17840

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Issue

Vol. 28 No. 45 (2013)

Section

Reflexión y revisión

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