More Melodramas. Critical Commentary to Covarrubias
DOI:
https://doi.org/10.17533/udea.rp.e350703Keywords:
Melodramas, Philosophy, Psychology, Essentialism, Dualism, CognitivismAbstract
For the most part, Covarrubias’ article is a kind of commercial showcase in which some assumptions of J. J. Gibson’s approach to perception are put on display, without justifying why they should even be considered, much less accepted, establishing itself as yet another not-so-distinct separatist bulwark. from the Kantorian, Skinnerian, or traditional mentalist cognitivist. For this reason, a substantial and substantive comment requires placing the article in a broader context that transcends its axiomatic expository mood. The context is philosophical because, ultimately, in one way or another, all the debates, conflicts, and disagreements around the themes of this monographic issue, including that of Covarrubias’s article, deal with metaphysical and epistemological assumptions. Such assumptions tend to be tacit, so their central importance in determining the issues, as well as their strengths and weaknesses, go unrecognized. In this commentary I identify some of those assumptions that, due to their tacit nature, have led to melodramas, that is, propagandistic presentations, frivolous struggles that are philosophically superficial and unnecessarily prolonged, confusing, superfluous and, therefore, harmful to psychology. The three main melodramas that he identified are: 1) the allegedly ‘revolutionary’ and ‘paradigmatic’ character of the Gibsonian approach; 2) the disputes around several core questions of this approach, rooted in an essentialist fundamentalism endemic in psychology that considers them, capriciously, as necessary for research; and 3) the false charge that traditional mentalistic cognitivism is dualistic. I end my comment with a critique of the application proposed by Covarrubias of the Gibsonian approach to the Experimental Analysis of Behavior.
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