Traduire des vies invisibles : Paul Bowles reécrit ses raconteurs marocains
DOI :
https://doi.org/10.17533/udea.mut/v16n1a02Mots-clés :
identité, Paul Bowles, post-colonialisme, pouvoir, queer, Tanger, traductionRésumé
Cet article vise à analiser les traductions par Paul Bowles comme une espace de dispute ou de rencontre de cultures majeures et mineures. Ces traductions sont le résultat de sa prolongée et bien connue séjour à Tanger. Ils se sont basés dans les rapports de seus amis marocains, mais il ne s’agit en aucun cas de traductions orthodoxes. Cet article tente de répondre à une série de questions pour le démontrer : Quel est le texte source ? Qui en est l’auteur ? À quelle littérature appartient le texte maghrébin rédigé en arabe? Les réécritures par Bowles des histoires racontées par ses amis marocains comptent autant d’adeptes que de détracteurs. Elles révèlent ainsi de multiples facettes de l’identité de Bowles, telles que sa sexualité et sa nationalité. Mais elles sont également politiques dans la mesure où elles révèlent que les traductions peuvent être au cœur de rencontres asymétriques entre des personnes et des cultures.
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