Question de matière en traduction féministe : lire la mode, la matérialité et la révolution dans les traductions vers l’anglais de La danse sur le volcan par Marie Chauvet

Auteurs-es

  • Siobhan Meï Université du Massachusetts Amherst

DOI :

https://doi.org/10.17533/udea.mut.v13n1a08

Mots-clés :

mode, Chauvet, culture matérielle, Révolution haïtienne, traduction féministe, études africaines et diasporiques

Résumé

Tout comme dans les études de la traduction féministe, les explorations récentes à l’intersection de la théorie féministe et de la théorie de la mode offrent de nouvelles façons de penser l’histoire de la modernité, du corps, et de la communication dans les sphères interpersonnelles et transnationales. La mode et la traduction partagent des attributs semblables dans la pensée populaire, toutes deux sont omniprésentes et souvent considérées comme superficielles. Toutes deux étant souvent reléguées au domaine de la féminité dans le sens où le travail de traduction ou de stylisme sont perçus comme dérivatifs ou intellectuellement frivoles. En juxtaposant les savoirs féministes des études de la traduction et de la mode pour créer un cadre transdisciplinaire, cet article a pour but d’examiner le rôle de la mode —sa production, matérialité et son histoire— dans le contexte de deux traductions du roman, La danse sur le volcan (1957) par l’auteure haïtienne, Marie Chauvet (1916-1973). Dans son analyse de l’histoire de la traduction vers l’anglais de La danse, cet article suggère qu’une pratique de la traduction littéraire transnationale féministe nécessite un engagement soutenu avec les vies matériaux et imaginées des objets sur une longue durée, particulièrement pour les objets de mode comme les écharpes et les robes.

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Biographie de l'auteur-e

Siobhan Meï, Université du Massachusetts Amherst

Doctorant en littérature comparée à l'Université du Massachusetts Amherst dont les recherches portent sur les intersections de la mode, de la traduction et de la fiction dans l'Atlantique noir. Elle est chargée de cours au College of Information and Computer Sciences de l'Université du Massachusetts à Amherst.

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Publié-e

2020-02-26

Comment citer

Meï, S. (2020). Question de matière en traduction féministe : lire la mode, la matérialité et la révolution dans les traductions vers l’anglais de La danse sur le volcan par Marie Chauvet. Mutatis Mutandis. Revista Latinoamericana De Traducción, 13(1), 159–182. https://doi.org/10.17533/udea.mut.v13n1a08