Dispositif de sous-titrage iranien non professionnel : une enquête qualitative
DOI :
https://doi.org/10.17533/udea.mut.v12n2a05Mots-clés :
sous-titrage non professionnel, fansubbing, fansubbers, profil, pratique, IranRésumé
Le nombre d’études portant sur le fansubbing s’est multiplié ces dernières années, soulignant ainsi sa pertinence dans le monde actuel. Ceci tient au nombre croissant de téléspectateurs qui regardent des séries télévisées et des films avec des sous-titres partagés en ligne par des sous-titreurs non professionnels, l’Iran n’y fait pas exception. En Iran, pour contourner la politique de « maintien de la culture » défendue et strictement dirigée par l’État, de nombreux sites Web en persan se sont lancés, à partir du début de l’année 2010, dans une nouvelle initiative dans laquelle les séries, en particulier les séries télévisées américaines, sont téléchargeables avec les sous-titres en persan. Malgré l’augmentation de ce phénomène dans le contexte iranien, il existe peu de littérature et de recherche sur le funsubbing en persan. Pour combler cette lacune, cet article vise à examiner et analyser les différentes formes de pratiques associées au sous-titrage en persan : le profil des sous-titreurs iraniens non professionnels, une description de leur processus de travail, suivi d’une description des produits sous-titrés par les fans. Les données sont collectées à l’aide d’un questionnaire ouvert comprenant un échantillon de critères provenant de sous-titreurs iraniens non professionnels, d’un sondage vidéo et de sites Web permettant de partager des sous-titres en Iran, ainsi qu’un examen détaillé des caractéristiques communes des produits sous-titrés par les fans, y compris la vitesse de lecture et les expériences de sous-titreurs amateurs avec l’original.
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