Audio-visual translation

13 Items

All Items

  • A Stranger in the Saloon: Lexical Disruption in the English Translation for Euro-Westerns Dubbing

    John D. Sanderson
    1-21
    |Abstract
    = 279 veces | HTML
    = 46 veces| | PDF
    = 124 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a11

  • English as a Pivot Language in Audiovisual Translation: Industry and Profession in Spain

    José Fernando Carrero Martín, Beatriz Reverter Oliver
    1-18
    |Abstract
    = 574 veces | HTML (ESPAÑOL (ESPAÑA))
    = 6 veces| | PDF (ESPAÑOL (ESPAÑA))
    = 361 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a03
  • María Morán's work: "Alocacias"

    English Dubs: Why are Anglophone Viewers Receptive to English Dubbing on Streaming Platforms and to Foreign-Accent Strategies?

    Lydia Hayes
    1-20
    |Abstract
    = 3335 veces | HTML
    = 8 veces| | PDF
    = 409 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a12

  • Exploring Stereotypes and Cultural References in Dubbed TV Comedies in the Spanish-as-a-Foreign-Language Classroom

    María del Mar Ogea Pozo, Carla Botella Tejera, Alejandro Bolaños García-Escribano
    1-22
    |Abstract
    = 684 veces | HTML
    = 2 veces| | PDF
    = 391 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a04

  • Is Transcreation Another Way of Translating? Subtitling Estrella Damm’s Advertising Campaigns into English

    Montse Corrius, Eva Espasa
    1-21
    |Abstract
    = 698 veces | HTML
    = 5 veces| | PDF
    = 333 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a09

  • Language Variation in the Dubbing Into English of the Netflix Series Baby (2018–2020) and Suburra: Blood on Rome (2017–2020)

    Laura Bonella
    1-17
    |Abstract
    = 794 veces | PDF
    = 359 veces| | HTML
    = 9 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a05
  • Painting by Harrison Tobón, "Lo humano en la montaña"

    Linguistic and Textual Characteristics of Film Audio Description in Uruguay

    Soledad Álvarez Lamas, Mayte Victoria Gorrostorrazo Babuglia
    e4356115
    |Abstract
    = 89 veces | PDF (ESPAÑOL (ESPAÑA))
    = 99 veces| | EPUB (ESPAÑOL (ESPAÑA))
    = 0 veces|
    DOI: https://doi.org/10.17533/udea.ikala.356115

  • Multilingual and Multi-Generational Italian Identity in a Netflix Series: Subtitling Generazione 56k (2021) into English

    Marina Manfredi, Chiara Bartolini
    1-20
    |Abstract
    = 468 veces | HTML
    = 2 veces| | PDF
    = 221 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a07

  • Pivot Templators’ Challenges and Training: Insights from a Survey Study with Subtitlers and Subtitler Trainers

    Hanna Pięta, Susana Valdez, Ester Torres-Simón, Rita Menezes
    1-21
    |Abstract
    = 658 veces | HTML
    = 10 veces| | PDF
    = 356 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a02

  • Quality Assessment of the English Subtitles in Five International Award-Winning Colombian Films

    Susana Fernández Gil
    1-18
    |Abstract
    = 464 veces | HTML
    = 3 veces| | PDF
    = 258 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a06
  • Magnolio (homenaje al dr. Carlos E. Morán)

    Role Reversal: An Overview of Audiovisual Translation into English

    Jorge Díaz-Cintas, Lydia Hayes
    1-18
    |Abstract
    = 1216 veces | PDF
    = 829 veces| | HTML
    = 8 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a01

  • Subtitling the Mafia and the Anti-Mafia from Italian into English: An Analysis of Cultural Transfer

    Gabriele Uzzo
    1-16
    |Abstract
    = 488 veces | HTML
    = 1 veces| | PDF
    = 591 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a08

  • The Rendering of Foul Language in Spanish-English Subtitling: The Case of El Vecino

    Noemí Barrera-Rioja
    1-20
    |Abstract
    = 590 veces | HTML
    = 3 veces| | PDF
    = 393 veces|
    DOI: https://doi.org/10.17533/udea.ikala.v28n2a10